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Faculty of English Language and Literature

The Faculty of English Language and Literature is by far the largest English Department in the UK, with over 75 permanent postholders, a further 70 Faculty members, 900 undergraduates and 300 postgraduates. The Faculty has a very distinguished research and teaching record, covering all periods of English Literature.
Oxford’s English Faculty is one of the most illustrious Schools of English in the world. Established in 1894, it has numbered among its members some of the most important critics and scholars in the field, including J.R.R. Tolkien, C.S. Lewis, Edmund Blunden, Nevill Coghill, Helen Gardner, Richard Ellmann, Terry Eagleton, and many others. We are now home to nearly eighty Professors, Readers, and Lecturers, with about the same number again of Tutors and Research Fellows based in Colleges. At any one time, there are roughly a thousand students studying within the Faculty at undergraduate level, and another three hundred at graduate level in the largest English graduate school in the country.
Traditionally teaching and research in the Faculty has covered the entire history of literature in English from the Anglo-Saxon period to the present day, along with language studies. More recent growth areas include world literature and film studies.

Series associated with Faculty of English Language and Literature

"British" World War One Poetry: An Introduction
Approaching Shakespeare
Broadcast Media
Censorship in Literature in South Africa
Centre for the Study of the Book
Challenging the Canon
D.H. Lawrence
English at Oxford
English Graduate Conference 2012
George Eliot
Great Writers Inspire
Great Writers Inspire at Home
History of the Eighteenth Century in Ten Poems
Indian Traces in Oxford
Interviews on Great Writers
Leonard Woolf's The Village in the Jungle (1913): A Day Symposium
Literature and Form
Literature, Art and Oxford
Medieval English
MSt English Language
Not Shakespeare: Elizabethan and Jacobean Popular Theatre
Oscar Wilde
Oxford Writers' House Talks
Poetry with Simon Armitage
Samuel Johnson
Shakespeare's first folio
Staging Shakespeare
Tolkien at Oxford
Writers in Dialogue
# Episode Title Description People Date
101 Creative Commons The Merchant of Venice This lecture on The Merchant of Venice discusses the ways the play's personal relationships are shaped by models of financial transaction, using the casket scenes as a central example. Emma Smith 20 Nov 2012
102 Creative Commons The Taming of the Shrew. ePub version of text THE Taming of the Shrew. / Shakespeare, William, 1564-1616. William Shakespeare 09 Nov 2012
103 Creative Commons Taming of the Shrew Emma Smith uses evidence of early reception and from more recent productions to discuss the question of whether Katherine is tamed at the end of the play. Emma Smith 09 Nov 2012
104 Creative Commons A Midsommer Nights Dreame. ePub version of text A MIDSOMMER Nights Dreame. / Shakespeare, William, 1564-1616. William Shakespeare 05 Nov 2012
105 Creative Commons A Midsummer Night's Dream This lecture on A Midsummer Night's Dream uses modern and early modern understandings of dreams to uncover a play less concerned with marriage and more with sexual desire. Emma Smith 05 Nov 2012
106 Creative Commons Language and History Prof. Simon Horobin examines how the English language has changed over time, addressing such vexed questions as whether Jane Austen could spell, the fate of the apostrophe and whether people who 'literally' explode with anger are corrupting the language. Simon Horobin 30 Oct 2012
107 Creative Commons Much adoe about Nothing. ePub version of text Much adoe about Nothing. / Shakespeare, William, 1564-1616. William Shakespeare 30 Oct 2012
108 Creative Commons Much Ado About Nothing Emma Smith asks why the characters are so quick to believe the self-proclaimed villain Don John, drawing on gender and performance criticism to think about male bonding, the genre of comedy, and the impulses of modern performance. Emma Smith 30 Oct 2012
109 Creative Commons The tragedie of Hamlet, Prince of Denmarke. ePub version of text The tragedie of HAMLET, Prince of Denmarke. / Shakespeare, William, 1564-1616. William Shakespeare 23 Oct 2012
110 Creative Commons Hamlet The fact that father and son share the same name in Hamlet is used to investigate the play's nostalgia, drawing on biographical criticism and the religious and political history of early modern England. Emma Smith 23 Oct 2012
111 Creative Commons As you Like it. ePub version of text As you Like it. / Shakespeare, William, 1564-1616. William Shakespeare 23 Oct 2012
112 Creative Commons As You Like It Asking 'what happens in As You Like It', this lecture considers the play's dramatic structure and its ambiguous use of pastoral, drawing on performance history, genre theory, and eco-critical approaches. Emma Smith 23 Oct 2012
113 Creative Commons Kipling, the Elton John of his age? Professor Elleke Boehmer discusses why Kipling's writing, and his poetry of the late nineteenth and early twentieth centuries in particular, launched him to international fame across the British Empire. Elleke Boehmer, Dominic Davies 08 Oct 2012
114 Creative Commons Postcolonial Women Writers Professor Elleke Boehmer notes the distinct lack of women writers on the Post/Colonial Writing page of the Great Writers website, and explores why this is the case. Elleke Boehmer, Dominic Davies 08 Oct 2012
115 Creative Commons Oscar Wilde's Women Sophie Duncan introduces Oscar Wilde by setting him in an accurate historical context. Sophie Duncan 19 Sep 2012
116 Creative Commons Great Writers Inspire Great Writing Alex Pryce considers how writers are readers, influenced and inspired by the works of other writers. Alex Pryce 19 Sep 2012
117 Creative Commons Julian Thompson on Rudyard Kipling Dr Julian Thompson considers a writer described by Kingsley Amis as 'our greatest writer of short stories'. Julian Thompson 19 Sep 2012
118 Creative Commons DH Lawrence: A Postcolonial Writer? Professor Peter McDonald draws on the work of Indian novelist and literary critic, Amit Chaudhuri, to open up new ways of how we can think about D.H. Lawrence, not only as a Modernist, but also as a Post/Colonial writer. Peter McDonald 28 Aug 2012
119 Creative Commons Joseph Conrad and Postcoloniality - Part 2: Heart of Darkness and Lord Jim Professor Peter McDonald talks to Great Writers Inspire about the Post/Colonial aspects of Joseph Conrad's writing. Peter McDonald 28 Aug 2012
120 Creative Commons Joseph Conrad and Postcoloniality - Part 1: Conrad and Chinua Achebe Professor Peter McDonald talks to Great Writers Inspire about the Post/Colonial aspects of Joseph Conrad's writing. In this first part, Peter takes Chinua Achebe's 1975 critique of Conrad as a starting point. Peter McDonald 28 Aug 2012
121 Creative Commons Aime Cesaire and Derek Walcott Jason Allen offers a comparative discussion of two important Caribbean poets and playwrights, Aime Cesaire and Derek Walcott, to emphasize the impact of Caribbean literature upon the postcolonial world. Jason Allen, Dominic Davies 24 Aug 2012
122 Creative Commons The language of Shakespeare Actors and the director talk about how they have approached and worked with their student production of the Shakespeare play - Two Gentlemen of Verona. They discuss some of the challenges of the text and what they have done to overcome these. Kate O'Connor 23 Aug 2012
123 Creative Commons Understanding Shakespeare The actor Nick Lyons talks about the challenge of the language barrier and how he dealt with it for his role in the student production of the Shakespeare play Two Gentlemen of Verona. Nick Lyons 23 Aug 2012
124 Creative Commons Two Gentlemen of Verona: The view from the Director The director talks about how she adapted the script and directed the student Shakespeare production of Two Gentlemen of Verona. She describes what makes the play great, and discusses issues related to editing and direction. Kate O'Connor 23 Aug 2012
125 Creative Commons The Tempest: For you am I this patient log-man The director and actors talk about the log-scene in The Tempest and how they interpret and perform it. Includes scenes from rehearsals and performance. Archie Cornish, Dylan Townley 23 Aug 2012
126 Creative Commons The Tempest: Our revels now are ended The famous Shakespeare scene from The Tempest, performed by actors from an Oxford student drama society. Dylan Townley 23 Aug 2012
127 Creative Commons The Tempest - Our revels now are ended: Conveying Shakespeare's meaning The actor Dylan Townley talks about the language of Shakespeare. He describes how understanding and using the meter can help an actor or reader to bring out the poetry in a text. Includes a scene from The Tempest. Dylan Townley 23 Aug 2012
128 Creative Commons The Tempest: Prospero Actor Dylan Townley talks with director Archie Cornish about the character Prospero. They describe how they have chosen to portray him in this Oxford student performance of The Tempest, and discuss on what they base their interpretation. Archie Cornish, Dylan Townley 23 Aug 2012
129 Creative Commons The Tempest: Direction and interpretation Director Archie Cornish and actor Dylan Townley - Prospero - talk about adapting, directing and performing a student Shakespeare production of The Tempest. Archie Cornish, Dylan Townley 23 Aug 2012
130 Creative Commons Teaching Shakespeare in Schools A teacher talks about how she teaches Shakespeare in school, using video clips and references from contemporary culture to get the students to understand, relate to, and engage with the text. Joyti Chandegra 23 Aug 2012
131 Creative Commons The Tempest - Our revels now are ended: Bringing a scene to Life The director Archie Cornish, and actor Dylan Townley, introduce the Revel speech in The Tempest. They also discuss the context in which it appears. Archie Cornish, Dylan Townley 22 Aug 2012
132 Creative Commons Shakespeare and the Stage Professor Tiffany Stern gives a short talk on William Shakespeare and how his plays were performed in Elizabethan England. Tiffany Stern 22 Aug 2012
133 Creative Commons Julian Thompson on Sir Walter Scott Dr Julian Thompson introduces 'the least read great writer in our literature'. He describes the popularly of Walter Scott in his own time and suggests some highlights of the 'living Scots' of his fiction. Julian Thompson 01 Aug 2012
134 Creative Commons Shakespeare and Voice Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare's poetry and plays lend themselves to vocal performance by discussing how breath can be used to 'punctuate the thought'. Linda Gates 01 Aug 2012
135 Creative Commons Shakespeare and Voice Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare's poetry and plays lend themselves to vocal performance by discussing how breath can be used to 'punctuate the thought'. Linda Gates 01 Aug 2012
136 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 3 Baroness Helena Kennedy QC, draws on her experience as a trustee of the Booker Prize and as a judge for many other literary prizes to offer a response to the question, 'What is a Classic?'. Helena Kennedy 19 Jul 2012
137 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 3 Baroness Helena Kennedy QC, draws on her experience as a trustee of the Booker Prize and as a judge for many other literary prizes to offer a response to the question, 'What is a Classic?'. Helena Kennedy 19 Jul 2012
138 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 2 Judith Luna, the Senior Commissioning Editor at Oxford World's Classics, draws on her practical involvement in re-launching the Oxford World's Classics series in 2008 to give a publisher's take on the question, 'What is a Classic?'. Judith Luna 19 Jul 2012
139 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 2 Judith Luna, the Senior Commissioning Editor at Oxford World's Classics, draws on her practical involvement in re-launching the Oxford World's Classics series in 2008 to give a publisher's take on the question, 'What is a Classic?'. Judith Luna 19 Jul 2012
140 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 1 Dr Ankhi Mukherjee, Wadham college, Oxford, speaks to the question 'What is a Classic?' by examining the residual influence of the Eurocentric literary canon in the age of world literature and emergent formations of canons and classics. Ankhi Mukherjee 19 Jul 2012
141 Creative Commons What is a Classic? English Graduate Conference 2012 Panel Debate, Talk 1 Dr Ankhi Mukherjee, Wadham college, Oxford, speaks to the question 'What is a Classic?' by examining the residual influence of the Eurocentric literary canon in the age of world literature and emergent formations of canons and classics. Ankhi Mukherjee 19 Jul 2012
142 Creative Commons Shackled by Language: The Representation and Self-Representation of English-Speaking Black Voices in Black Atlantic Writing Cecilia Bennett considers the use of the English language in black Atlantic narratives. Cecilia Bennett 18 Jul 2012
143 Creative Commons Rewriting Jane Eyre: The Avenging 'Angel in the House' in Michael Faber's The Crimson Petal and the White Erin Nyborg draws parallels between Michael Faber's 2002 novel The Crimson Petal and the White and Charlotte Brontë's Jane Eyre. Erin Nyborg 18 Jul 2012
144 Creative Commons Olive Schreiner Dominic Davies talks about Olive Schreiner, the postcolonial South African author, and how her work, The Story of the African Farm, engages with the critical question of European hegemony in literary understanding and expectations of literary works. Dominic Davies 17 Jul 2012
145 Creative Commons 'Some exquisitely-dressed stage favourite': Shakespeare and the suffragettes In this talk, Sophie Duncan examines suffragists' interactions with Shakespeare and his works, as performers, directors, consumers and critics. Sophie Duncan 17 Jul 2012
146 Creative Commons A Discussion of Emily Dickinson's 'I started early, took my dog'. Dr Sally Bayley presents an illuminating reading of Emily Dickinson's 'I started early, took my dog'. In her reading, she seeks out allusions to Shakespearean plays including Hamlet and The Merchant of Venice. She then answers questions about the poem. Sally Bayley 16 Jul 2012
147 Creative Commons Dickens's Points of View Professor Jon Mee, University of Warwick, discusses how Dickens's fiction can be considered 'cinematic' by drawing attention to the shifting points of view in Oliver Twist, Our Mutual Friend, and other novels. Jon Mee 14 Jun 2012
148 Creative Commons Jane Austen's Manuscripts Explored Professor Kathyrn Sutherland from the University of Oxford talks around the manuscripts of Jane Austen, what we can learn from them about her family life but also her writing style and techniques. Kathryn Sutherland 08 Jun 2012
149 Creative Commons The Watsons: Jane Austen Practising Professor Kathryn Sutherland from the University of Oxford talks about some of Jane Austen's manuscripts from the novel "The Watsons" and what we can learn about her from these. Kathryn Sutherland 08 Jun 2012
150 Creative Commons Great Writers Inspire- An Introduction to the Project A short introductory video to the "Great Writers Inspire project. Joshua Carr 23 May 2012
151 Creative Commons Literature and Form 4: What is "Comparative Literature"? Dr Catherine Brown gives the fourth and final lecture in the Literature and Form lecture series. With a philosophical discussion on what Comparative Literature is and how we can study 'literature in comparison'. Catherine Brown 21 May 2012
152 Creative Commons Literature and Form 3: Multiple Plotting Dr Catherine Brown gives the third lecture in the Literature and Form lecture series. Including the differing ways writers plot their work; from multi-plotted works like Ulysses (Joyce) to double plotted works like Daniel Deronda (George Eliot). Catherine Brown 21 May 2012
153 Creative Commons Literature and Form 2: Chapters Dr. Catherine Brown offers a series of talks introducing different writing forms and their use in great novels: In the second lecture, Brown talks about the ways in which writers choose to break up their works into chapters, parts, and volumes. Catherine Brown 21 May 2012
154 Creative Commons Literature and Form 1: Unreliable Narrators Dr. Catherine Brown offers a series introducing different writing forms and their use in great novels: In the first lecture, Brown discusses the use of the unreliable narrator, particularly in Nabokov's Lolita and McEwan's Atonement. Catherine Brown 21 May 2012
155 Creative Commons What is a Great Writer? An academic panel discusses the question. In this panel discussion from the Great Writers Inspire Engage Event workshop, Dr Seamus Perry, Dr Margaret Kean, Professor Peter McDonald and Dr Ankhi Mukherjee discuss what we mean when we talk about greatness in writing. Seamus Perry, Margaret Kean, Peter McDonald, Ankhi Mukherjee 15 May 2012
156 Creative Commons Julian Thompson on Wilkie Collins Dr. Julian Thompson considers how Wilkie Collins's fiction was pioneering across a variety of genres, including detective fiction and gothic thrillers. Julian Thompson 15 May 2012
157 Creative Commons Chaucer Professor Daniel Wakelin discusses the work of Chaucer and explains how he was one of the first to use everyday spoken English as a literary language in the 14th Century. Daniel Wakelin 17 Apr 2012
158 Creative Commons Ezra Pound Dr Rebecca Beasley explains why we should read Pound, someone she considers as the central figure in early 20th Century poetry movements. Rebecca Beasley 10 Apr 2012
159 Creative Commons Mary Leapor Dr Jennifer Batt talks about Mary Leapor, an 18th Century kitchen maid who wrote accomplished verses and won accolades from literary society. Jennifer Batt 27 Mar 2012
160 Creative Commons DH Lawrence 7. Reception History Catherine Brown gives the Seventh and final lecture in the DH Lawrence series. Catherine Brown 19 Mar 2012
161 Creative Commons DH Lawrence 6. Birds, Beasts and Children Catherine Brown gives the sixth lecture in the DH Lawrence series. Catherine Brown 19 Mar 2012
162 Creative Commons John Milton Dr Anna Beer shares a few short extracts of Milton's poem Lycidas and discusses what they show about Milton's very special qualities as a writer. Anna Beer 15 Mar 2012
163 Creative Commons The Lure of the East: the Oriental and Philosophical Tale in Eighteenth-Century England Professor Ros Ballaster discusses the objectives of oriental tales published in the second half of the 18th Century which use the sheer power of storytelling to conjure up alternative worlds. Ros Ballaster 13 Mar 2012
164 Creative Commons Only Collect: An Introduction to the World of the Poetic Miscellany Dr Abigail Williams, Director of the Digital Miscellanies Index, explains how these popular collections of poetry designed to suit contemporary tastes were used in the 18th Century. Abigail Williams 09 Mar 2012
165 Creative Commons Why Dickens? Dr Robert Douglas-Fairhurst talks of Dickens' life and influences and why these have made his works so popular. Robert Douglas-Fairhurst 02 Mar 2012
166 Creative Commons DH Lawrence 5. The Alps Catherine Brown gives the fifth lecture in the DH Lawrence series. Catherine Brown 28 Feb 2012
167 Creative Commons DH Lawrence 4. The World at Large Catherine Brown gives the fourth lecture in the DH Lawrence series. Catherine Brown 28 Feb 2012
168 Creative Commons DH Lawrence 3. Christianity Catherine Brown gives the third lecture in the DH Lawrence series. Catherine Brown 28 Feb 2012
169 Creative Commons The Tragedie Of King Lear. ePub version of text THE TRAGEDIE OF KING LEAR. / Shakespeare, William, 1564-1616. William Shakespeare 22 Feb 2012
170 Creative Commons King Lear Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King Lear, this sixteenth Approaching Shakespeare lecture engages with the question of tragedy and why it gives pleasure. Emma Smith 22 Feb 2012
171 Creative Commons DH Lawrence 2. Humour Catherine Brown gives the second lecture in the DH Lawrence series. Catherine Brown 15 Feb 2012
172 Creative Commons DH Lawrence 1. Consciousness Catherine Brown gives her first lecture in the D.H. Lawrence series. Catherine Brown 15 Feb 2012
173 Creative Commons Babbling a Dialect of France: Loanwords, French, and Johnson's Dictionary Professor Mugglestone discusses the concept of loanwords in relationship to Samuel Johnson's Dictionary of the English Language. Lynda Mugglestone 13 Feb 2012
174 Creative Commons The life and death of King Iohn. ePub version of text The life and death of King Iohn. / Shakespeare, William, 1564-1616. William Shakespeare 10 Feb 2012
175 Creative Commons King John At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the Approaching Shakespeare series looks at the ways history and legitimacy are complicated in this plotline. Emma Smith 10 Feb 2012
176 Creative Commons J.M. Coetzee Professor Peter McDonald gives a talk on the work of South African Nobel Laureate, J.M. Coetzee. Peter McDonald 07 Feb 2012
177 Creative Commons Olive Schreiner Professor Elleke Boehmer gives a talk on Olive Schreiner (1855-1920), the South African novelist, pioneering feminist, and anti-imperialist polemicist. Elleke Boehmer 07 Feb 2012
178 Creative Commons Katherine Mansfield and Rhythm Magazine Dr Faith Binckes explains why modernist short story writer and critic Katherine Mansfield (1888-1923) is a great writer, highlighting her involvement with the 1911-1913 periodical Rhythm, edited by her second husband John Middleton Murry. Faith Binckes 07 Feb 2012
179 Creative Commons George Eliot - A Very Large Brain Dr Catherine Brown gives a talk on George Eliot and her influences. Catherine Brown 07 Feb 2012
180 Creative Commons William Blake Dr David Fallon introduces the poetry, painting, and engraving of William Blake, focusing on the imaginative and visionary aspects of Blake's work and his desire to break the publics 'mind-forg'd manacles'. David Fallon 07 Feb 2012
181 Creative Commons 18th Century Labouring Class Poetry Dr Jennifer Batt gives a talk on Stephen Duck, one of the 18th Century labouring-class poets. Jennifer Batt 07 Feb 2012
182 Creative Commons Jonathan Swift and the Art of Undressing Dr Abigail Williams gives a talk on Jonathan Swift and the Art of Undressing. Abigail Williams 07 Feb 2012
183 Creative Commons Beowulf Dr Francis Leneghan gives a talk on Beowulf, one of the most important works in Anglo-Saxon literature. Francis Leneghan 07 Feb 2012
184 Creative Commons Shakespeare and the Stage Professor Tiffany Stern gives a talk on William Shakespeare and how his plays were performed in Elizabethan England. Tiffany Stern 07 Feb 2012
185 Creative Commons Pericles, Prince of Tyre Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the Approaching Shakespeare series shows some of its self-conscious artistry and contemporary popularity. Emma Smith 01 Feb 2012
186 Creative Commons The Tragedy of Richard the Third: with the Landing of Earle Richmond, and the Battell at Bosworth Field. ePub version of text The Tragedy of Richard the Third: with the Landing of Earle Richmond, and the Battell at Bosworth Field. / Shakespeare, William, 1564-1616. William Shakespeare 25 Jan 2012
187 Creative Commons Richard III In this thirteenth lecture in the Approaching Shakespeare series the focus is on the inevitability of the ending of Richard III: does the play endorse Richmond's final victory? Emma Smith 25 Jan 2012
188 Creative Commons The Comedie of Errors. ePub version of text The Comedie of Errors. / Shakespeare, William, 1564-1616. William Shakespeare 23 Jan 2012
189 Creative Commons The Comedy of Errors Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical exploits of Comedy of Errors, drawing out the play's serious concerns with identity and selfhood. Emma Smith 23 Jan 2012
190 Creative Commons The Joys of Cricket This podcast looks at cricket seen through eighteenth-century eyes, focussing on a poem by James Dance, called 'Cricket: An Heroic Poem.'. Adam Rounce 12 Dec 2011
191 Creative Commons George Eliot 3. Reception History In this third and final podcast, Dr Catherine Brown discusses the popularity of George Eliot's work in the Victorian period, which led to her status as a sage and the steady accumulation of her wealth. Catherine Brown 05 Dec 2011
192 Creative Commons History of English Pronunciation Do we really know what Chaucer's poetry sounded like? Professor Simon Horobin introduces evidence that gives us an insight into the history of English pronunciation and explores what it tells us about how and why changes in language take place. Simon Horobin 30 Nov 2011
193 Creative Commons The First Part of Henry the Fourth, with the Life and Death of Henry Sirnamed Hot-spvrre. ePub version of text The First Part of Henry the Fourth, with the Life and Death of HENRY Sirnamed HOT-SPVRRE. / Shakespeare, William, 1564-1616. William Shakespeare 16 Nov 2011
194 Creative Commons Henry IV part 1 Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John Falstaff and investigates his role in Henry IV part 1. Lecture 11 in the Approaching Shakespeare series. Emma Smith 16 Nov 2011
195 Creative Commons George Eliot 2. Genre and Justice The second lecture in the series on George Eliot considers how narrative justice operates in relation to the genres of comedy and tragedy, particularly in 'Adam Bede' and 'Daniel Deronda'. Catherine Brown 15 Nov 2011
196 Creative Commons The Tempest. ePub version of text THE TEMPEST. / Shakespeare, William, 1564-1616. William Shakespeare 14 Nov 2011
197 Creative Commons The Tempest That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest: this tenth Approaching Shakespeare lecture asks whether that is a useful reading of the play. Emma Smith 14 Nov 2011
198 Creative Commons George Eliot 1. Intellect and Consciousness In this lecture Dr Catherine Brown brings her discussion to focus primarily upon Eliot's atypical novella 'The Lifted Veil' and her novel 'Middlemarch'. Catherine Brown 10 Nov 2011
199 Creative Commons The Tragedie Of Anthonie, and Cleopatra. ePub version of text THE TRAGEDIE OF Anthonie, and Cleopatra. / Shakespeare, William, 1564-1616. William Shakespeare 10 Nov 2011
200 Creative Commons Antony and Cleopatra What kind of tragedy is this play, with its two central figures rather than a singular hero? The ninth lecture in the Approaching Shakespeare series tries to find out. Emma Smith 10 Nov 2011