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Emma Smith

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Emma Smith

Dr Emma Smith's research combines a range of approaches to Shakespeare and early modern drama. She is currently working on the First Folio (1623), a project combining aspects of the history of the book, histories of reading, and the interpretation of Shakespeare on the page. Her next project will be on the construction of character in printed drama. With Tamara Atkin at QMUL, she is working on the way cast lists in printed drama through the sixteenth and seventeenth century can inform our understanding of the experience of seeing, as well as reading, plays. She is part of a team of scholars revising the Riverside Shakespeare under the general editorship of Douglas Bruster. She is also interested in drama in performance, in the methodology of writing about theatre, in reviewing and its rhetoric, and in developing analogies between cinema, film theory, and early modern performance. She is working with Charlotte Brewer on a pilot project on the Oxford English Dictionary and Shakespeare, which they hope will develop into a website and associated publications on the issue of Shakespeare’s linguistic creativity and how it has been recorded. Pedagogy is important to her and she continues to work on readerly editions of early modern texts and on books, articles and lectures which disseminate research to the widest possible audience. A good example is her involvement in the 'Sprint for Shakespeare' project.

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Title Description People Date Captions
King Lear Showing how generations of critics - and Shakespeare himself - have rewritten the ending of King Lear, this sixteenth Approaching Shakespeare lecture engages with the question of tragedy and why it gives pleasure. Emma Smith 22 February, 2012 Captions
King John At the heart of King John is the death of his rival Arthur: this fifteenth lecture in the Approaching Shakespeare series looks at the ways history and legitimacy are complicated in this plotline. Emma Smith 10 February, 2012 Captions
Pericles, Prince of Tyre Pericles has been on the margins of the Shakespearean canon: this fourteenth lecture in the Approaching Shakespeare series shows some of its self-conscious artistry and contemporary popularity. Emma Smith 1 February, 2012 Captions
Richard III In this thirteenth lecture in the Approaching Shakespeare series the focus is on the inevitability of the ending of Richard III: does the play endorse Richmond's final victory? Emma Smith 25 January, 2012 Captions
The Comedy of Errors Lecture 12 in the Approaching Shakespeare series asks how seriously we can take the farcical exploits of Comedy of Errors, drawing out the play's serious concerns with identity and selfhood. Emma Smith 23 January, 2012 Captions
Henry IV part 1 Like generations of theatre-goers, this lecture concentrates on the (large) figure of Sir John Falstaff and investigates his role in Henry IV part 1. Lecture 11 in the Approaching Shakespeare series. Emma Smith 16 November, 2011 Captions
The Tempest That the character of Prospero is a Shakespearean self-portrait is a common reading of The Tempest: this tenth Approaching Shakespeare lecture asks whether that is a useful reading of the play. Emma Smith 14 November, 2011 Captions
Antony and Cleopatra What kind of tragedy is this play, with its two central figures rather than a singular hero? The ninth lecture in the Approaching Shakespeare series tries to find out. Emma Smith 10 November, 2011 Captions
Richard II Lecture eight in the Approaching Shakespeare series asks the question that structures Richard II: does the play suggest Henry Bolingbroke's overthrow of the king was justified? Emma Smith 1 November, 2011 Captions
Twelfth Night The seventh Approaching Shakespeare lecture takes a minor character in Twelfth Night - Antonio - and uses his presence to open up questions of sexuality, desire and the nature of romantic comedy. Emma Smith 20 October, 2011 Captions
Titus Andronicus Focusing in detail on one particular scene, and on critical responses to it, this sixth Approaching Shakespeare lecture on Titus Andronicus deals with violence, rhetoric, and the nature of dramatic sensationalism. Emma Smith 19 October, 2011 Captions
The Winter's Tale How we can make sense of a play that veers from tragedy to comedy and stretches credulity in its conclusion? That's the topic for this fifth Approaching Shakespeare lecture on The Winter's Tale. Emma Smith 9 November, 2010 Captions

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