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Lieselotte Viaene

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Bert Ingelaere

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Laurens Bakker

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Ruti Teitel

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Peter Robinson

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Emma Smith

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Emma Smith

Dr Emma Smith's research combines a range of approaches to Shakespeare and early modern drama. She is currently working on the First Folio (1623), a project combining aspects of the history of the book, histories of reading, and the interpretation of Shakespeare on the page. Her next project will be on the construction of character in printed drama. With Tamara Atkin at QMUL, she is working on the way cast lists in printed drama through the sixteenth and seventeenth century can inform our understanding of the experience of seeing, as well as reading, plays. She is part of a team of scholars revising the Riverside Shakespeare under the general editorship of Douglas Bruster. She is also interested in drama in performance, in the methodology of writing about theatre, in reviewing and its rhetoric, and in developing analogies between cinema, film theory, and early modern performance. She is working with Charlotte Brewer on a pilot project on the Oxford English Dictionary and Shakespeare, which they hope will develop into a website and associated publications on the issue of Shakespeare’s linguistic creativity and how it has been recorded. Pedagogy is important to her and she continues to work on readerly editions of early modern texts and on books, articles and lectures which disseminate research to the widest possible audience. A good example is her involvement in the 'Sprint for Shakespeare' project.

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Stephen Farthing

Stephen Farthing studied at St Martin's School of Art, London from 1969 to 1973 before taking his Masters Degree in Painting at the Royal College of Art, London from 1973 to 1976. Here he received an Abbey Major Scholarship, taking him to The British School at Rome for a year in 1976.
His extensive teaching career began as a Lecturer in Painting at Canterbury College of Art (1977-9), after which he was a Tutor in painting at the Royal College of Art, London from 1980 to 1985. He went on to become Head of Painting (1985-7) and Head of Department of Fine Art (1987-9) at West Surrey College of Art and Design. From 1990 he was Ruskin Master at the Ruskin School of Fine Art and Professorial Fellow of St Edmund Hall, Oxford until 2000, when he moved to New York in order to take the position of Executive Director of The New York Academy of Art, Manhattan.
Stephen Farthing has exhibited extensively in one man shows since his first solo exhibition held at the Royal College of Art Gallery, London in 1977. His work, representing Britain, was shown at the Sao Paulo Biennale in 1989, leading to many further solo shows in the UK and abroad, including South America and Japan. He has also participated in many group exhibitions since 1975, including the John Moores Liverpool Exhibitions, in which he was a Prize Winner in 1976, 1980, 1982, 1987, 1991, 1993, 1997 and 1999.
Farthing was Artist in Residence at the Hayward Gallery, London in 1989. He was elected Royal Academician in 1998 and in 2000 was made an Emeritus Fellow of St Edmund Hall, Oxford. He lives and works in New York, USA.
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Dan Abnett

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Stewart Lee

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Leaving Ukraine

Series
The Migration Oxford Podcast
Embed
We discuss the war on Ukraine and the almost unprecedented speed and size of the movement of people fleeing the country. We discuss the displacement taking place, how refugees are being received in Europe, and the impact this will have on post-EU Britain.
In our first ever episode, Rob McNeil and Jacqueline Broadhead of COMPAS (University of Oxford Centre on Migration, Policy and Society) discuss the war on Ukraine with three expert researchers:

Dr Roxana Barbulescu, who leads the ‘Feeding the Nation: Seasonal Migrant Workers and Food Security during the COVID-19 Pandemic’ with Professor Carlos vargas-Silva (COMPAS, University of Oxford). The project explores the role seasonal migrant workers and farmers in pandemic times, their recruitment and working practices in situations of severe international travel restrictions and a re-imagined post-Brexit immigration.

Emma Rimpiläinen is a Post-Doctoral Affiliate at the School of Anthropology at the University of Oxford. Her research focuses on mass displacement caused by the pre-exisitng war in Donbas, Eastern Ukraine, and examines how the people displaced by the violence there navigate the landscapes of legal ambiguity in Russia and Ukraine.

Volodymyr Artiukh a Postdoctoral Researcher at COMPAS with the ERC-funded project EMPTINESS: Living Capitalism and Democracy after (Post)Socialism. Before the invasion, Volodymyr was studying the movement of Ukrainian migrants between Donbass, central Ukraine, and Belarus.

Producer - Frey Lindsay

Episode Information

Series
The Migration Oxford Podcast
People
Roxana Barbulescu
Emma Rimpiläinen
Volodymyr Artiukh
Rob McNeil
Jacqueline Broadhead
Keywords
refugees
migrants
ukraine
migrant workers
Ukrainian
Department: Centre on Migration, Policy and Society (COMPAS)
Date Added: 23/03/2022
Duration: 00:21:59

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