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Conflicting Views: Print Propaganda Depicting Tourism in a Landscape of War

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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An analysis of Ruth Taylor White’s “cartograph” for the 1945 guidebook A G.I. View of American Red Cross China, India and Burma, published by the American Red Cross.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Dori Griffin
Keywords
cartography
cartograph
commercial illustration
China-India-Burma Theater
Department: Oxford Lifelong Learning
Date Added: 30/09/2014
Duration: 00:21:00

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Prints of Peace: Elihu Burritt and the graphics of reform

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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This talk examines the propaganda campaign conducted by mid-nineteenth century American reformer Elihu Burritt and a group of engravers and artists who used the graphic potential of postal items, such as envelopes, to pressure politicians for peace.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Peter Gilderdale
Keywords
graphic design
peace
Elihu Burritt
James Valentine
reform
Engraving
Penny Post
Department: Oxford Lifelong Learning
Date Added: 30/09/2014
Duration: 00:18:45

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Book and musket | graphic design of Italian school reports and diplomas during the Fascism

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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In the interwar period, the Italian school reports and diplomas turned into a direct expression of the most advanced artistic research. Fascism revolutionized institutional graphic design to achieve a modern effective communication.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Caterina Franchini
Keywords
graphic design
fascist propaganda
Italian scholastic graphic
Department: Oxford Lifelong Learning
Date Added: 30/09/2014
Duration: 00:20:09

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Modernising the V&A: From War to Reconstruction 1918-51

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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In the aftermath of two world wars, the V&A struggled to reconstruct a national view of contemporary art and design in which Britain’s industrial past and contemporary developments could be reconciled.
Contemporary design was the main catalyst against which a new ‘romantic nationalism’ was reconstructed; to use Maurice Halbwach’s term, in creating a ‘collective memory’ of the past.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Laura Elliot
Keywords
Post-war reconstruction
museums of modern art and design
picasso
Matisse
Council of Industrial Design
British Institute of Industrial Art
Royal College of Art
Architectural Association
museum modernisation
modern art and design
national identity
post industrial society
new audiences
Department: Oxford Lifelong Learning
Date Added: 30/09/2014
Duration: 00:21:55

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Dressed to Dissent: 'Catch-22' Clothing

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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This paper examines dress as a form of anti-war Vietnam protest using the cross dressing character of Corporal Maxwell Klinger on the long-running American sitcom MASH as its focus.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Marilyn Cohen
Keywords
gender
fashion
anti-Vietnam
Department: Oxford Lifelong Learning
Date Added: 30/09/2014
Duration: 00:24:55

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Free will, and its connection to moral responsibility

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Practical Ethics Bites
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Professor Neil Levy explores the link between free will and responsibility. What makes us blameworthy for our actions?
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Practical Ethics Bites
People
Neil Levy
Nigel Warburton
David Edmonds
Keywords
practical ethics
free will
responsibility
accountability
Department: Uehiro Oxford Institute
Date Added: 29/09/2014
Duration: 00:20:21

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Design during the War: the seventh Triennale in Milan and the Mostra della produzione in serie (Serial production exhibition, 1940)

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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The Serial production exhibition, by Giuseppe Pagano, opens a new attitude in Italian design. The most advanced industrial products are shown to the public: typewriters, calculators, metal furnitures, microscopes, optical instruments, raincoats and so on.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Alberto Bassi
Keywords
Milan Triennale
Between wars industrial design
Exhibit design
Giuseppe Pagano
Department: Oxford Lifelong Learning
Date Added: 28/09/2014
Duration: 00:17:16

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ENIAC versus Colossus and the early presentation of electronic computers

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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A description of the concurrent yet different development of electronic computers during WWII in the UK and US– most notably the secrecy of the UK development compared to the widely known work in the US and the consequent effects on the computing industry
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Paul Atkinson
Keywords
computers
history of technology
ENIAC
Colossus
Department: Oxford Lifelong Learning
Date Added: 28/09/2014
Duration: 00:21:49

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‘Propaganda in Three Dimensions’: British Ministry of Information Exhibitions During World War Two

Series
Design for War and Peace: 2014 Annual Design History Society Conference
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Exhibitions designed by the British Ministry of Information exhibitions branch during World War Two as official propaganda: their methods and impact.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Design for War and Peace: 2014 Annual Design History Society Conference
People
Harriet Atkinson
Keywords
Exhibition design
World War Two
propaganda
Ministry of Information
Misha Black
Milner Gray
Department: Oxford Lifelong Learning
Date Added: 28/09/2014
Duration: 00:19:13

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Design for War and Peace: 2014 Annual Design History Society Conference

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Design for War and Peace: 2014 Annual Design History Society Conference
2014 was a year of commemoration for the wars and unrest of the twentieth century: the centenary of the outbreak of the First World War; the anniversaries of 1944, final year of the Second World War and the opening battles of the Vietnam War in 1954; the end of apartheid in South Africa in 1994. Claire O’Mahony, Course Director of the MSt in the History of Design, convened the 2014 annual Design History Society conference at Oxford's Department for Continuing Education reflecting upon the relationship of design and craft both to conflict and to hopes for peace and justice in our collective memory and our future.

Between Thursday 4 and Saturday 6 September 2014, 120 scholars travelled from 19 countries around the globe to meet at Rewley House to share and to discuss their new research about Design for War and Peace. Professors and doctoral candidates; practitioners, museum and heritage professionals and independent scholars presented 65 academic papers, framed by 3 invited keynote lectures generously funded by the Design History Society and the University of Oxford’s John Fell Fund.

The keynote lectures were filmed and most of the speakers generously gave permission to podcast their 20-minute papers. These recordings form this digital conference proceeding which was made possible through the generosity of the University of Oxford’s John Fell Fund supporting the administrative work of a 2013-5 MSt in the History of Design student, Vega Bantock, and the technical support the Department for Continuing Education IT team.

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