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Siegfried Sassoon

Series
"British" World War One Poetry: An Introduction
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Meg Crane looks at the war poems of Siegfried Sassoon, framed by the first and last (non-war) poems of his literary career.
Meg Crane is a teacher and President of the Siegfried Sassoon Fellowship.
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Episode Information

Series
"British" World War One Poetry: An Introduction
People
Meg Crane
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 22/09/2014
Duration: 00:51:03

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'Earth Voices Whispering’: Reading Ireland’s Poetry of WWI: An Introduction

Series
"British" World War One Poetry: An Introduction
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Professor Gerald Dawe relates the Irish poetry of World War One to the history of Ireland itself and explores why the first anthology of Irish WW1 Poetry was only published in 2008.
Professor Gerald Dawe is the Director of the Oscar Wilde Centre for Irish Writing and Director of M.Phil in Creative Writing at Trinity College Dublin. He is the editor of the first anthology of Irish war poetry 'Earth Voices Whispering: Irish war poetry 1914-1945 (2008)'.
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Episode Information

Series
"British" World War One Poetry: An Introduction
People
Gerald Dawe
Keywords
ww1
ww1 poetry
ireland
Department: Faculty of English Language and Literature
Date Added: 22/09/2014
Duration: 00:59:33

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David Jones

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"British" World War One Poetry: An Introduction
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Often overlooked, Dr Stuart Lee introduces David Jones and his seminal work 'In Parenthesis'.
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Episode Information

Series
"British" World War One Poetry: An Introduction
People
Stuart Lee
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 22/09/2014
Duration: 00:15:09

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Wilfred Owen

Series
"British" World War One Poetry: An Introduction
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Professor Jon Stallworthy, editor and biographer of Wilfred Owen, introduces one of the most notable poets of World War One.
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
"British" World War One Poetry: An Introduction
People
Jon Stallworthy
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 22/09/2014
Duration: 00:46:46

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What is virtue ethics?

Series
Practical Ethics Bites
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In this episode, Professor Roger Crisp introduces the strand of ethical theory known as 'virtue ethics'.
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Episode Information

Series
Practical Ethics Bites
People
Roger Crisp
Nigel Warburton
David Edmonds
Keywords
ethics
virtue ethics
philosophy
Department: Uehiro Oxford Institute
Date Added: 22/09/2014
Duration: 00:18:43

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Isaac Rosenberg: ‘Fierce Imaginings’ – the Private and the Poet

Series
"British" World War One Poetry: An Introduction
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Author and editor, Jean Liddiard, presents the life and work of Isaac Rosenberg.
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Episode Information

Series
"British" World War One Poetry: An Introduction
People
Jean Liddiard
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 20/09/2014
Duration: 00:58:30

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Ivor Gurney: A Poet born out of War

Series
"British" World War One Poetry: An Introduction
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Dr Philip Lancaster presents the life of literary musician Ivor Guney, and introduces some the key themes in his poetry.
Philip Lancaster is a writer and composer, a leading textual and critical scholar specialising in early twentieth century music and poetry, and a solo baritone and consort singer. He is a current Finzi Scholar, and a British Academy Postdoctoral Research Fellow at the University of Exeter.
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Episode Information

Series
"British" World War One Poetry: An Introduction
People
Philip Lancaster
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 20/09/2014
Duration: 00:55:31

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Manuscripts

Series
"British" World War One Poetry: An Introduction
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In this short talk Dr Stuart Lee introduces some of the primary sources of World War One poetry: manuscripts.
Visit Oxford's online First World War Poetry Digital Archive to explore the manuscripts of the major British World War One poets (http://www.oucs.ox.ac.uk/ww1lit).
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Episode Information

Series
"British" World War One Poetry: An Introduction
People
Stuart Lee
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 20/09/2014
Duration: 00:12:55

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Poetry vs. History

Series
"British" World War One Poetry: An Introduction
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What place do the poets and their work have in the historical analysis of the War? Dr Stuart Lee takes a look at the debate.
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Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
"British" World War One Poetry: An Introduction
People
Stuart Lee
Keywords
ww1
ww1 poetry
Department: Faculty of English Language and Literature
Date Added: 20/09/2014
Duration: 00:15:00

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Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’

Series
Oxford Comparative Criticism and Translation (OCCT)
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Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Troscianko (MML) and Dr James Carney (Social and Evolutionary Science Research Group) followed by refreshments
Wednesday 20th November, 4-6.30pm, The Seminar Room, TORCH, Radcliffe Humanities Building with Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Troscianko (MML) and Dr James Carney (Social and Evolutionary Science Research Group) followed by refreshments and discussion. David Herman is Professor of the Engaged Humanities in the Department of English Studies at Durham University. He is author of Storytelling and the Sciences of Mind (MIT Press, 2013) and many other books and articles working at the intersection of literary study and cognitive science. Emily Troscianko is a JRF in Modern Languages at St John’s College, Oxford. Her study of Kafka, Kafka’s Cognitive Realism, will be published early next year by Routledge. James Carney is a post-doctoral researcher in the Social and Evolutionary Science Research Group in Oxford. He is co-editor of Beckett Re-Membered: After the Centenary (2012) and is currently working on a monograph entitled: Life Stories: Towards a Biosemiotic Model of Narrative Signification to be published by de Gruyter. The seminar is the first organized as part of a new project with the working title: “Cultures of Mindreading: The novel and other minds” Report from Cultures of Mind-Reading: The Novel and Other Minds
The session inaugurated a new thread in the Comparative Criticism and Translation Programme which will be investigating ways in which the novel as a form reflects on and contributes to a flexible understanding of how human beings interact with, understand and make sense of each other. David Herman’s presentation focused on the limit case: interacting with and understanding non-human animals, asking where and why we draw the limits of mutual understanding, and looking at the ways in which narratives which focus on animal consciousness can reflect on, expand and explore the limits of human self-understanding. Emily Troscianko, in her response, asked whether there was a lingering commitment in Herman’s otherwise very innovative approach to a model of consciousness as a representation of the world (agent-makes-representation-of-environment-in-its-mind). This is a crucial point. If we want to escape from the idea that literature ‘mirrors’ the world, it is probably helpful to give up the parallel trope that the mind ‘mirrors’ reality and to look to models, like that of Alva Noë, on whom David Herman drew in his presentation, which understand the mind not as a mirror or inner state but as a form of shared practice: a product of things people do together in a shared environment. James Carney emphasized the importance of checking the models of narrative we develop with what can be observed of the way people actually behave. He reminded us of the variety of narrative forms, not all of which we treat in the same way, and not all of which we have the same expectations of. Finally, he issued a caveat about anthropomorphism. However circumspect we are when approaching and trying to understand animal minds, it is all too easy to construct them in the end as nothing more than attenuated human minds. An element which strongly emerged from the discussion was the strength of the assumption that there will be one uniform human mind or one uniform animal mind. But the more we include culture and shared practices of interaction in our approach, the less tenable this will appear. Human beings and dogs learn to interact with each other in specific contexts, so there will be as many varieties of canine minds as there are cultures of dog-handling. The session opened the way for further study of the different cultures through which we learn to engage with other minded beings. (BM)

Participants: Ben Morgan, James Carney, Emily Troscianko, David Herman, Céline Sabiron, K. Earnshaw, Yin Yin Zu, Laura Marcus, John Cook, Kirsten Shepherd-Barr, Laurence Mann, Matthew Reynolds, Stephen Harrison, Mohamed-Salah Omri, Simon Kemp, Xiaofan Amy Li, Lianjiang Yu, Kaitlin Standt, Foranzisha Kohlt, Ian Klinke, Anne Sommer, Rey Conquer, Lia Raitt Kaitt, Barry Murname, Christopher Cheung, San Verhauert, E. Cykoswke, L. Braddork, Alicia Gaj, Brooke Berdtson, Joanna Raisbeck, Benedict Morrison, Harriet Wragg.

Prof David Herman (Durham) on ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’ with responses from Dr Emily Troscianko (MML) and Dr James Carney (Social and Evolutionary Science Research Group).
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Oxford Comparative Criticism and Translation (OCCT)
People
David Herman
Emily Troscianko
James Carney
Keywords
neuroscientific literature
mindreading
animal consciousness
Department: St Anne's College
Date Added: 20/09/2014
Duration: 01:02:45

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