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Live Event: In Conversation with Maaza Mengiste

Series
TORCH | The Oxford Research Centre in the Humanities
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TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events!
Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.

In conversation with Maaza Mengiste, author of The Shadow King.
This event is also part of the North-east Africa Forum at the African Studies Centre at the University of Oxford.

Hosted by Elleke Boehmer, Professor of World Literature in English (English Faculty, University of Oxford). Professor Boehmer is currently the Director for the Oxford Centre for Life Writing (OCLW) based at Wolfson College, and former Director of TORCH (2015-17), and also leads on the 'Writers Make Worlds' project - https://writersmakeworlds.com/



Biographies:

Maaza Mengiste is the author of the novels, Beneath the Lion's Gaze, selected by the Guardian as one of the 10 best contemporary African books; and The Shadow King, a finalist for the LA Times Books Prize, a New York Times' Notable Book of 2019 and one of TIME's Must-Read Books of 2019. She is the recipient of an American Academy of Arts and Letters award, the Premio il ponte, and fellowships from the Fulbright Scholar Program, the National Endowment for the Arts, Creative Capital, and LiteraturHaus Zurich. Her work can be found in The New Yorker, New York Review of Books, Granta, the Guardian, the New York Times, Rolling Stone, and BBC, amongst other publications.



In conversation with:

Birhanu T. Gessese
Birhanu was born and raised in Addis Ababa, Ethiopia, and is now studying Humanities at Kenyon College, USA. He is currently on a year abroad studying English Literature at Exeter University, UK. He likes to compose stories, work with the camera, and illustrate in ink pen. Along with Korranda Harris, he recently interviewed Maaza Mengiste for Africa in Words.

Professor Richard Reid (History Faculty, University of Oxford) is a historian of modern Africa, focusing on the nineteenth and twentieth centuries. With a particular interest in the culture and practice of warfare in the modern period, part of Professor Reid's research interests includes the more recent armed insurgences, especially those between 1950s and the 1980s.
https://www.history.ox.ac.uk/people/professor-richard-reid

Professor Tsehai Berhane-Selassie
Tsehai Berhane-Selassie taught social-anthropology, gender, and development studies in Universities in Ethiopia, the USA, the UK, and Ireland. She has published on Ethiopian Warriorhood, and gender issues in Ethiopia.


'The Shadow King' Synopsis:

Published by Canon Gate.

'DEVASTATING' Marlon James, 'A MODERN CLASSIC' Andrew Sean Greer, 'INCREDIBLE' Lemn Sissay, 'BRILLIANT' Salman Rushdie, 'MAGNIFICIENT' Aminatta Forna, 'EPIC' Mary Morris, 'WONDERFUL' Laila Lalami, 'UNFORGETTABLE' The Times, 'REMARKABLE' New York Times

ETHIOPIA. 1935.

With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade.

Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers?

The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Elleke Boehmer
Maaza Mengiste
Richard Reid
Birhanu T. Gessese
Tsehai Berhane-Selassie
Keywords
literature
post colonial
Africa
history
Ethiopia
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 06/10/2020
Duration: 01:01:29

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Renaissance Calligraphy from Pen to Press and Back

Series
Lyell Lectures
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Professor Marc Smith, Professeur de Paléographie, The Ecole Nationale des Chartes, Paris delivers the 3rd lecture in this years Lyell Lecture series

Episode Information

Series
Lyell Lectures
People
Marc Smith
Keywords
calligraphy
renaissance calligraphy
medieval manuscripts
paleography
Department: Bodleian Libraries
Date Added: 06/10/2020
Duration: 01:02:43

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In At The Deep End

Series
Worcester College
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Alex Gunz (1994, PPE) on his novel, In At The Deep End
Alex Gunz (1994, PPE) goes into further detail about his new novel, In At The Deep End, and his processes of writing.

Episode Information

Series
Worcester College
People
Alex Gunz
Keywords
fiction
literature
worcester college
Department: Worcester College
Date Added: 02/10/2020
Duration: 00:02:16

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Modern Languages Inaugural lectures

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Modern Languages Inaugural lectures
Inaugural lectures from the Faculty of Medieval and Modern Languages

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Performance and Power in Delhi

Series
Contemporary South Asian Studies Programme (CSASP)
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The passage of the Citizenship Amendment Act (CAA) in December 2019 has ushered in a new form of politics in India.
We intend to approach the changes wrought by the CAA through a focus on the multi-layered entanglements between power and performance that have emerged as key nodes and sites of protest cultures and state brutality. Through the establishment of a dialogue with activists, artists, academics, and through a focus on events still unfolding in Delhi, our objective is to demonstrate the productivity of an analytical lens on Indian politics that centres ‘performance’.

Performance is conceptualised at many levels. We take performance quite literally to mean forms of expression such as art, theatre, song, dance, sloganeering, and poetry that have been marshalled to express a range of emotions and political thinking. Furthermore, we study politics itself as a type of performance – with actors, drama, speeches, dialogues, costumes, access to different stages, and careful stage-management and publicity. Finally, we consider the various uses and abuses of state power as a performance. These state performances of power range from outright imprisonment, torture, and the instigation of a pogrom to more subtle forms of censorship through the use of certain words and allusions to who truly belongs to India. Through a critical discussion of how state power is performed so that its threatening force can be seen, felt, and made amply present, and alongside, how these machinations of the state come to be challenged through the performance of resistance, we engage themes of authoritarianism, dissent and rights integral to the framing of Indian democracy today.

Cognisant of the profoundly pan-Indian nature of the protests and repressions ushered in by the new law and its associated bureaucratic instruments of registration and surveillance, the National Registration of Citizens (NRC) and the NPR (National Population Register), we envision this workshop as the first in a series of conversations on politics, power, and performance in contemporary India. In locating these debates in Delhi to begin with, our intention is to bring ethnographic specificity to these entanglements and to focus particular attention on performance as a means to a renewed understanding of politics and power.

Episode Information

Series
Contemporary South Asian Studies Programme (CSASP)
People
Akash Bhattacharya
Harsh Mander
Abhik Chimni
Neha Dixit
Sudhanva Deshpande
Sumangala Damodaran
Sabika Abbas Naqvi
Bani Gill
Garima Jaju
Nayanika Mathur
Keywords
india
Delhi
Citizenship Amendment Act (CAA)
performance
power
politics
Delhi pogrom
state
activism
dissent
fascism
authoritarianism
Hindutva
Department: School of Interdisciplinary Area Studies (SIAS)
Date Added: 02/10/2020
Duration: 03:04:05

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Bibliography and the Life Cycles of Writing Books

Series
Lyell Lectures
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The 2nd lecture in the 2020 series delivered by Professor Marc Smith, Professeur de Paléographie, The Ecole Nationale des Chartes, Paris

Episode Information

Series
Lyell Lectures
People
Marc Smith
Keywords
Lyell 2020
calligraphy
renaissance calligraphy
French calligraphy
medieval books
Department: Bodleian Libraries
Date Added: 01/10/2020
Duration: 01:05:19

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Episode 5 – Babylon: Natural Theology versus Scientific Naturalism

Series
Temple of Science
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When Museum opened in 1860, a new secular approach to science was on the rise. In the final episode of Temple of Science we see how ‘natural theology’ responded to the challenges of Charles Darwin’s theories of evolution and natural selection.

Episode Information

Series
Temple of Science
People
John Holmes
Keywords
history
pre-raphaelite
architecture
natural history museum
oxford university
science
art
Charles Darwin
evolution
Great Debate
On the Origin of Species
Department: Museum of Natural History
Date Added: 01/10/2020
Duration: 00:08:48

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Episode 4 – Chambers of the Ministering Priests: Building Scientific Disciplines

Series
Temple of Science
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The Museum was founded on the principle that art should be used to teach science and to inspire generations of scientists. In episode 4 of Temple of Science we see how this was put into practice in some of the building’s less familiar spaces.

Episode Information

Series
Temple of Science
People
John Holmes
Keywords
history
pre-raphaelite
architecture
natural history museum
oxford university
science
art
Department: Museum of Natural History
Date Added: 01/10/2020
Duration: 00:08:26

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Episode 3 – The Sanctuary of the Temple of Science: The Central Court

Series
Temple of Science
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The central court of the Museum was described by one founder as ‘the sanctuary of the Temple of Science’. In this episode we see how every detail of this unique space was carefully planned and crafted to form a comprehensive model of natural science.

Episode Information

Series
Temple of Science
People
John Holmes
Keywords
history
pre-raphaelite
architecture
natural history museum
oxford university
science
art
Department: Museum of Natural History
Date Added: 01/10/2020
Duration: 00:08:28

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Episode 2 – 'God’s Own Museum': The Façade

Series
Temple of Science
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In episode 2 of Temple of Science, we take a closer look at the decoration on the outside of the Museum building, which captures the vitality of nature, presented in Victorian Oxford as the study of God’s creation.
From the outset, Oxford University Museum wanted to teach the principles of natural history through art as well as science. In this episode we take a close look at the museum’s façade. The carvings round the windows, incorporating designs by John Ruskin and carved by the brilliant Irish stonemason and sculptor James O’Shea, revel in the vitality of nature, while the decorations round the main entrance remind us that, for the scientists in Victorian Oxford, natural history was the study of God’s creation.

Episode Information

Series
Temple of Science
People
John Holmes
Keywords
history
pre-raphaelite
architecture
natural history museum
oxford university
science
art
Department: Museum of Natural History
Date Added: 01/10/2020
Duration: 00:08:46

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