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Episode 1 - Pandemic writing: How close is too close?

Series
Narrative Futures
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Lauren Beukes discusses the proximity of her recent novel Afterland to the current pandemic and how collective action and art are the only way through these difficult times.

Episode Information

Series
Narrative Futures
People
Lauren Beukes
Chelsea Haith
Louis Greenberg
Keywords
Lauren Beukes
The Shining Girls
time travel
science fiction
pandemic literature
GBV
south africa
speculative fiction
narrative futures
futures thinking network
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 14/10/2020
Duration: 00:36:40

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Live Event: On Being Unprepared (For Our Own Times)

Series
TORCH | The Oxford Research Centre in the Humanities
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TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. Decolonisation the Curriculum Week.
Join Homi K. Bhabha, Anne F. Rothenberg Professor of the Humanities at Harvard University, and Professor Margaret MacMillan (History Faculty) for a discussion ‘On Being Unprepared (For Our Own Times)'

Biographies:
Homi K. Bhabha
Homi K. Bhabha is the Anne F. Rothenberg Professor of the Humanities at Harvard University. He is one of the most important figures in contemporary post-colonial studies. Bhabha is the author of numerous works exploring colonial and postcolonial theory, cultural change and power, and cosmopolitanism, among other themes. In 2012, he received the Padma Bhushan award in the field of literature and education from the Indian government.

Some of his works include Nation and Narration and The Location of Culture, which was reprinted as a Routledge Classic in 2004 and has been translated into Korean, Spanish, Italian, Arabic, Serbian, German and Portuguese. A selection of his work was recently published in a Japanese volume. Harvard University Press will publish his forthcoming book A Global Measure, and Columbia University Press will publish his next book The Right to Narrate.

Margaret MacMillan
Margaret MacMillan is an emeritus Professor of International History and a former Warden of St Antony’s College. Professor MacMillan researches and writes on British imperial and international history of the late 19th and 20th centuries. Books include Women of the Raj, Peacemakers/Paris 1919, The Uses and Abuses of History and The War That Ended Peace. Her forthcoming book War: How Conflict Shaped Us grew out the BBC’s Reith lectures which she delivered in 2018.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Margaret MacMillan
Homi K. Bhabha
Keywords
Colonialism
post-colonialism
literature
decolonising the curriculum
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 13/10/2020
Duration: 01:09:21

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Live Event: The World After CoVid

Series
TORCH | The Oxford Research Centre in the Humanities
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TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Humanities and Policy Week Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
The World After COVID: In conversation with Professor Peter Frankopan (Stavros Niarchos Foundation Director of the Oxford Centre for Byzantine Research) and Professor Ngaire Woods (Dean of Blavatnik School of Government).

Biographies:
Professor Peter Frankopan

Peter Frankopan is Professor of Global History, Stavros Niarchos Foundation Director of the Oxford Centre for Byzantine Research, and Senior Research Fellow at Worcester College.

Peter works on the history of the Mediterranean, Russia, the Middle East, Persia, Central and Southern Asia, and on relations between Christianity and Islam. He is particularly interested in exchanges and connections between regions and peoples. Peter specialises in the history of the Byzantine Empire in the 11th Century, and in the history of Asia Minor, Russia and the Balkans. Peter works on medieval Greek literature and rhetoric, and on diplomatic and cultrual exchange between Constantinople and the islamic world, western Europe and the principalities of southern Russia.



Professor Ngaire Woods

Professor Ngaire Woods is the founding Dean of the Blavatnik School of Government and Professor of Global Economic Governance at Oxford University. Her research focuses on how to enhance the governance of organizations, the challenges of globalization, global development, and the role of international institutions and global economic governance. She founded the Global Economic Governance Programme at Oxford University, and co-founded (with Robert O. Keohane) the Oxford-Princeton Global Leaders Fellowship programme. She led the creation of the Blavatnik School of Government.

Ngaire Woods serves as a member of the Asian Infrastructure Investment Bank’s International Advisory Panel, and on the Boards of the Mo Ibrahim Foundation and the Stephen A. Schwarzman Education Foundation. She is an Independent Non-Executive Director at Rio Tinto (effective September 2020). She sits on the advisory boards of the Centre for Global Development, the African Leadership Institute, the School of Management and Public Policy at Tsinghua University, and the Nelson Mandela School of Public Policy at Cape Town University. She is Chair of the Harvard University Visiting Committee on International Engagement and sits on the Harvard Kennedy School Visiting Committee. She is a member of the UK Government National Leadership Centre's Expert Advisory Panel, and of the Department for International Trade’s Trade and Economy Panel. She is an honorary governor of the Ditchley Foundation.

Previously, she served as a Non-Executive Director on the Arup Global Group Board and on the Board of the Center for International Governance Innovation. From 2016-2018, she was Co-Chair of the World Economic Forum’s Global Future Council on Values, Technology and Governance.She has also served as a member of the IMF European Regional Advisory Group, and as an Advisor to the IMF Board, to the Government of Oman’s Vision 2040, to the African Development Bank, to the UNDP’s Human Development Report, and to the Commonwealth Heads of Government.

Ngaire Woods has published extensively on international institutions, the global economy, globalization, and governance, including the following books: The Politics of Global Regulation (with Walter Mattli, Oxford University Press, 2009), Networks of Influence? Developing Countries in a Networked Global Order (with Leonardo Martinez-Diaz, Oxford University Press, 2009), The Globalizers: the IMF, the World Bank and their Borrowers (Cornell University Press, 2006), Exporting Good Governance: Temptations and Challenges in Canada’s Aid Program (with Jennifer Welsh, Laurier University Press, 2007), and Making Self-Regulation Effective in Developing Countries (with Dana Brown, Oxford University Press, 2007). She has previously published The Political Economy of Globalization (Macmillan, 2000), Inequality, Globalization and World Politics (with Andrew Hurrell: Oxford University Press, 1999), Explaining International Relations since 1945 (Oxford University Press, 1986). She has published numerous articles on international institutions, globalization, and governance. She has also presented numerous documentaries for BBC Radio 4 and BBC TV2.

She was educated at Auckland University (BA in economics, LLB Hons in law). She studied at Balliol College, Oxford as a New Zealand Rhodes Scholar, completing an MPhil (with Distinction) and then DPhil (in 1992) in International Relations. She won a Junior Research Fellowship at New College, Oxford (1990-1992) and subsequently taught at Harvard University (Government Department) before taking up her Fellowship at University College, Oxford and academic roles at Oxford University.

Ngaire Woods was appointed Commander of the Most Excellent Order of the British Empire (CBE) in the 2018 New Year's Honours for services to Higher Education and Public Policy. She is a Fellow of the Academy of Social Sciences and an International Honorary Member of the American Academy of Arts and Sciences.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Ngaire Woods
Peter Frankopan
Keywords
pandemics
politics
Covid-19
coronavirus
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 13/10/2020
Duration: 00:47:40

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Live Event: Living with Pandemics: Finding New Narratives

Series
TORCH | The Oxford Research Centre in the Humanities
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In conversation with Dr Erica Charters and Robin Gorna. TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Performance Week​
Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.

How have societies responded to pandemics, throughout the world, and throughout time? What are the new narratives, meanings and cultures that emerge and shape emerging realities? As this conversation will remind us, there is no simple answer to the problem of disease – but disease is also far more than a medical or scientific problem. Robin Gorna will draw on her experiences with social movements and cultural responses to AIDS since the 1980s, which brought hope and massive social change in the midst of rage and death. She will discuss the many connections between the two pandemics - of cultural change, politics and people and emerging narratives, with reflections on her current experience of living with Covid-19 in her own body. Erica Charters will discuss a just-published special issue of Centaurus on ‘The history of epidemics in the time of COVID-19’, reflecting on how the discipline of the history of science and medicine has responded to the current pandemic. Sharing historical approaches to understanding disease, she will explore how historians have framed pandemics and what a long-term context might offer for our understanding of COVID-19.



Biographies:

Dr Erica Charters (History Faculty and Wolfson College) examines the history of war, disease, and bodies, particularly in the British and French empires. Her current research focuses on manpower during the eighteenth century, examining the history of bodies as well as the history of methods used to measure and enhance bodies, labour, and population as a whole, including the history of statistics. Since disease was the biggest threat to manpower in the early modern world, Erica looks at how disease environments – throughout the world – shaped military, commercial, and agricultural power, as well as how overseas experiences shaped European theories of medicine, biology, and race alongside political methodologies such as statistics and censuses. Erica's monograph Disease, War, and the Imperial State: The Welfare of British Armed Forces during the Seven Years War (Chicago, 2014) traces how responses to disease shaped military strategy, medical theory, and the nature of British imperial authority (awarded the AAHM 2016 George Rosen Prize and the SAHR 2014 Best First Book).

To read more about Erica's recent publication, please visit: https://onlinelibrary.wiley.com/journal/16000498



Robin Gorna is an AIDS activist and feminist who has led global and local campaigns and organisations, including SheDecides (the global women’s rights movement that she co-founded 2017), the Partnership for Maternal, Newborn and Child Health (hosted by WHO), International AIDS Society, and Australian Federation of AIDS Organisations. She set up the global AIDS Team for DFID (Department for International Development) in 2003, and then moved to South Africa to lead the UK’s regional and national HIV and health programmes. She co-founded, and now chairs, the St John’s College Women’s Network. She studied Theology but spent far too much time involved in student drama until the end of her 2nd year when she saw an early performance of The Normal Heart (by Larry Kramer) and signed up as a volunteer with the UK’s new AIDS Charity, the Terrence Higgins Trust. She remains fascinated by the ways in which culture and the arts inspire social movements, including the global AIDS response. She publishes regularly and wrote one of the earliest books on women, Vamps, Virgins and Victims: how can women fight AIDS? She’s now working on a feminist memoir exploring a life lived between two pandemics. For more information, please visit Robin Gorna's website here: www.robingorna.com

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Erica Charters
Robin Gorna
Keywords
humanities
pandemics
Covid-19
coronavirus
history
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 13/10/2020
Duration: 01:06:40

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Live Event: Voices from the Wings: Poetry, Performance and Translation on and off the page

Series
TORCH | The Oxford Research Centre in the Humanities
Embed
TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Translation Week Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
This event presents a conversation between academic, translator and writer Karen Leeder and poet, performer and novelist Ulrike Almut Sandig who have been collaborating for the last eight years. Karen and Ulrike were due to appear together with Sandig’s poetry band LANDSCHAFT (with Grigory Semenchuk) at the Big Tent! in May 2020.

Ulrike Sandig is that rare thing: a writer who is as much at home on the stage as the page. She began as a guerrilla poet, pasting poems to lampposts, and today often collaborates with sound artists, musicians and filmmakers to take her poetry to the audiences that poetry doesn’t usually reach. Translation is a vital part of all this, not only at the most fundamental level of turning a feeling, image, or an idea into a poem on the page, but also carrying over that impetus into performance, the screen, a classical orchestra or an electronic hip hop band. She also works at translating older texts for contemporary times as with her Grimm cycle (published in English in 2018) which reanimates the dark side of the Household Tales of the Brothers Grimm for our own age. A further level comes with translation into English, which itself has become part of new collaborations - for example, in the animated poetry films by Beate Kunath & Eléonore Roedel that have taken their work to new audiences all over the world through the medium of English.

In this event, Karen and Ulrike will perform recent work, and discuss the creative transformations poetry can undergo, with emples from Ulrike’s work for page, stage, film and gig, along with their own creative process and the way poetry, that voice from the wings, can become part of an inclusive political project.

Biographies:

Professor Karen J. Leeder
Karen Leeder started her academic life researching the samizdat poetry, art and music scene that existed in East Germany before the fall of the Berlin Wall. She has continued her interest in the GDR and has published widely on modern German culture, especially of the post-1945 and contemporary periods. She is a prize-winning translator of contemporary German literature and has been awarded residences in UK and Berlin. Most recently she won the John Frederick Nims Memorial Prize for her translation of Durs Grünbein. Her translation of Ulrike Almut Sandig’s Thick of it (Seagull Books, 2018) won an English PEN award and an American PEN/Heim award, and was runner up for the Schlegel-Tieck Prize (2019). Grimm appeared in a special limited edition with Hurst Street Books in 2018. Their new collaboration, due in Summer 2020, I am a field full of rapeseed give cover to deer and shine like thirteen oil paintings laid one on top of the other is ‘hotly anticipated’ by the New York Times. She was TORCH Knowledge Exchange Fellow with the Southbank Centre, London (2014-2015) and keeps up work especially with MPT, Poet in the City, and The Poetry Society on her project Mediating Modern Poetry: http://www.mmp.mml.ox.ac.uk/.

Ulrike Almut Sandig (Poet)
Born in rural Großenhain in former East Germany in 1979, Ulrike Almut Sandig started life as a kind of guerrilla poet, pasting poems onto lamp posts on the streets of Leipzig with friends and handing them out on flyers and free postcards. Two books of stories and four volumes of her poetry have been published to date, including, most recently, Ich bin ein Feld voller Raps verstecke die Rehe und leuchte wie dreizehn Ölgemälde übereinandergelegt. Her first novel will appear this Autumn. Performance is a key part of Sandig’s work. She frequently collaborates with filmmakers, sound artists and musicians and her first CD with her poetry band LANDSCHAFT (with Grigory Semenchuk) appeared in 2018. Sandig has often appeared in the UK including at The Edinburgh Festival, Hay Festival, and StAnza and won many prizes, including the Leonce and Lena Prize (2009), the Literary Prize of the Federation of German Industries (2017), the Wilhelm Lehmann Prize (2018) and the Horst-Bingel Prize (2018). She lives in Berlin with her family.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Ulrike Almut Sandig
Karen Leeder
Keywords
literature
poetry
humsnities
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 13/10/2020
Duration: 01:13:50

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Episode 5: Oxford Spanish Literature Podcast

Series
Oxford Spanish Literature Podcast
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In episode five, we speak to Laura Lonsdale (Associate Professor in Modern Spanish Literature) about Bodas de sangre, by Federico García Lorca.

Episode Information

Series
Oxford Spanish Literature Podcast
People
Laura Lonsdale
Keywords
literature
spain
Spanish
Federico García Lorca
Department: Faculty of Medieval and Modern Languages
Date Added: 09/10/2020
Duration: 00:27:04

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The Golden Age of French Writing Masters?

Series
Lyell Lectures
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Professor Marc Smith, Professeur de Paléographie, The Ecole Nationale des Chartes, Paris delivers the 4th lecture in this years Lyell Lecture series

Episode Information

Series
Lyell Lectures
People
Marc Smith
Keywords
calligraphy
renaissance calligraphy
medieval manuscripts
paleography
Department: Bodleian Libraries
Date Added: 09/10/2020
Duration: 01:09:28

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Live Event: In Conversation with Jamelia, Multi-Award Winning Artist

Series
TORCH | The Oxford Research Centre in the Humanities
Embed
TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Performance Week​.
Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
Join us for an in-conversation with multi-award winning artist, Jamelia, as we explore themes related to music, performance, and what it means to be an artist on lockdown.
Join Dr Yvonne Liao (Music Faculty, University of Oxford) and Dr Priya Atwal (Kings College London) as they discuss all things music, performance, representation, education, home schooling with Jamelia.
Jamelia is a mutli-award winning musician, presenter and an advocate for women and girls. Her career has spanned over 20 years, beginning when she was just 15. ​

Jamelia has topped the charts in the UK, Australia, Thailand and Italy and toured the world with ​Usher, Destiny’s child and Justin Timberlake to name a few. ​She has received awards from The Mobo’s, Q Awards, Ivor Novellos and a Mercury Music Prize. ​Jamelia also models and has graced the covers of Elle, Cosmopolitain and Harpers Bazaar. ​Branching out into acting, presenting and writing, Jamelia uses her expansive career and life ​experience to empower, inspire and ignite those around her. ​

She has authored an array of documentaries including “Whose hair Is it Anyway” which she says ​was life changing for her, and the emotional “Shame About Single Mums” both for the BBC.​ As if the above wasn’t enough, Jamelia is a loving Wife, and describes her most important role as ​being “Mummy” to her 3 gorgeous Daughters and adorable Son. ​She sees her children as her greatest success!​

Jamelia is currently working on multiple projects, including a new album, TV show, book, haircare ​line, and her Girlz Club Programs in partnership with her daughters’ business, Magic Girlz.

Dr Yvonne Liao is a Leverhulme Early Career Research Fellow in the Music Faculty at the University of Oxford. Yvonne is a music historian and during her career has also worked at Naxos Records and Universial Music Hong Kong. During her time in Oxford, Yvonne has also co-founded the Colonial Ports and Global Histories Network (CPAGH) and is a member of the TORCH Management Committee.

Dr Priya Atwal is a Teaching Fellow in Modern South Asian History at Kings College London. In addition to her research as a historian, Priya has a lot of experience working in the areas of public engagement, history, museums and heritage, and University outreach particularly including her research on Queen Victoria, and most recently appearing as part of the BBC4 documentary on 'The Stolen Maharajah'.
​

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Jamelia
Priya Atwal
Yvonne Liao
Keywords
music
popular music
performance
representation
education
home schooling
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 07/10/2020
Duration: 01:03:27

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Female Entrepreneurship in the Middle East

Series
Almanac – The Oxford Middle East Podcast
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Frederike Brockhoven sits down with Rania Ayman of Entreprenelle, Yasmeen Mjalli of Babyfist, and Lina Khalifeh of Shefighter to discuss female entrepreneurship in the Middle East.

Episode Information

Series
Almanac – The Oxford Middle East Podcast
People
Frederike Brockhoven
Rania Ayman
Lina Khalifeh
Keywords
women
activism
middle east
politics
Intersectionality
rights
business
jordan
egypt
palestine
Israel
Department: Middle East Centre
Date Added: 07/10/2020
Duration: 00:40:19

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Live Event: Celebrating Tchaikovsky

Series
TORCH | The Oxford Research Centre in the Humanities
Embed
TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Music Week
Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
Thursday 7th May marks the 180th anniversary of the birth of Pyotr Ilych Tchaikovsky, Russia's most famous nineteenth-century composer, and one of the most popular classical composers of all time. Together, Leah Broad and Philip Ross Bullock will trace how Tchaikovsky became such a revered figure, ask what it means to talk about nationalism in music, and explore the challenges of writing musical biography.

Biographies
Dr Leah Broad

Leah is a Junior Research Fellow at Christ Church, University of Oxford, and a BBC/AHRC New Generation Thinker. She specialises in Nordic and British twentieth century music, and has publications in Music & Letters, Journal of the Royal Musical Association, TEMPO, Music and the Moving Image and Nineteenth-Century Music Review.



Professor Philip Bullock, TORCH Director

Philip Ross Bullock is Professor of Russian Literature and Music at the University of Oxford, and Fellow and Tutor in Russian at Wadham College. His publications include Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England (2009), The Correspondence of Jean Sibelius and Rosa Newmarch, 1906-1939 (2011) and, most recently, Pyotr Tchaikovsky (2016). Philip is also the current Director of TORCH.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Leah Broad
Philip Bullock
Keywords
music
Tchaikovsky
classical music
history
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 06/10/2020
Duration: 01:04:55

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