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The Dictatorship Syndrome

Series
Middle East Centre
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Alaa Al Aswany, author of The Dictatorship Syndrome (2019), gives a talk for the Middle East Centre seminar series. Chaired by Professor Eugene Rogan (St Antony's College, Oxford)
Alaa Al Aswany is Egypt’s most celebrated novelist and essayist whose books are runaway bestsellers in Arabic and have been translated into more than 30 languages. His second novel, The Yacoubian Building (2002) established Al Aswany as a global literary figure. This was followed by Chicago (2007), The Automobile Club (2013), and most recently, The So-called Republic (2018).

A newspaper columnist until he was banned from publishing by the Egyptian government, Al Aswany has published a number of works of non-fiction treating on current affairs, including On the State of Egypt: What Made the Revolution Inevitable (2011), and Democracy is the Answer: Egypt’s Years of Revolution (2015). His most recent book is The Dictatorship Syndrome (2020), where he considers the conditions, signs, symptoms, and cures for what he terms the malady of dictatorship.

The study of dictatorship in the West has acquired an almost exotic dimension. But authoritarian regimes remain a painful reality for billions of people worldwide who still live under them, their freedoms violated and their rights abused. They are subject to arbitrary arrest, torture, corruption, ignorance, and injustice. What is the nature of dictatorship? How does it take hold? In what conditions and circumstances is it permitted to thrive? And how do dictators retain power, even when reviled and mocked by those they govern? In this deeply considered and at times provocative short work, Alaa Al Aswany tells us that, as with any disease, to understand the syndrome of dictatorship we must first consider the circumstances of its emergence, along with the symptoms and complications it causes in both the people and the dictator.

Episode Information

Series
Middle East Centre
People
Alaa Al Aswany
Eugene Rogan
Keywords
middle east
dictatorships
democracy
freedom
egypt
authoritarianism
Department: Middle East Centre
Date Added: 23/10/2020
Duration: 00:53:28

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Our Own Way in This Part of the World: Biography of an African Community, Culture, and Nation

Series
African Studies Centre
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For this seminar today we hosted Kwasi Konadu (Colgate University). Professor Konadu, Colgate University, spoke about his book, Our Own Way in This Part of the World: Biography of an African Community, Culture, and Nation.

Episode Information

Series
African Studies Centre
People
Kwasi Konadu
Keywords
Ghana
religion
Healers
Department: Centre for African Studies
Date Added: 23/10/2020
Duration:

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Transnational Francoism

Series
TORCH | The Oxford Research Centre in the Humanities
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Bàrbara Molas discusses Transnational Francoism: The British and The Canadian Friends of National Spain as part of the TORCH Network Conversations in Identity, Ethnicity and Nationhood. Bàrbara Molas is a PHD Candidate in History at York University

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Bàrbara Molas
Keywords
identity
canada
history
francoism
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 23/10/2020
Duration: 00:14:35

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Reconsidering Early Jewish Nationalist Ideologies Seminar: Yair Wallach, (SOAS): Language of Revival or Conquest? Hebrew in the Streets of early 20th century Jerusalem

Series
Israel Studies Seminar
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Yair Wallach discusses his book A City in Fragments: Urban Text in Modern Jerusalem (Stanford University Press, 2020).
Until the late nineteenth century, Hebrew was rare to come by in the streets of Jerusalem, visible only in a handful of synagogues and communal institutions. Yet in the early years of the twentieth century, Hebrew erupted into the city's urban space. It appeared in rabbinical proclamations, adverts and posters, stone inscriptions, signs of schools and hospitals, and even on "Jewish money", Hebrew-marked coins used for charity. But Hebrew's emergence into the streets took place at the moment when the meaning of the language was no longer stable and given. For Ashkenazim and Sephardim, reactionaries and modernisers, Zionists and their opponents, local elites and newly-arrived "pioneers", the language was a battleground over different visions for Jews in Palestine. After 1920, with the adoption of Hebrew as a state language by the British Mandatory government, Arab nationalists began to view Hebrew as a colonial tool and resisted its use on that basis.
In this talk I will explore the dramatic emergence of Hebrew in turn of the century Jerusalem, the struggles over its meaning, and its subsequent alignment with the Zionist project.

Yair Wallach is Senior Lecturer in Israeli Studies at SOAS, University of London, where he is also the head of the SOAS Centre for Jewish Studies. He is a cultural and social historian of modern Palestine/Israel, who has published articles in Hebrew, Arabic and English on urban and visual culture, and on Jewish-Arab relations. His book, A City in Fragments: Urban Text in Modern Jerusalem, which was published by Stanford University Press in 2020, looks at Arabic and Hebrew street texts (inscriptions,banners, graffiti and other media) in modern Jerusalem.
Dr. Wallach is currently (2020-2022) a Leverhulme Research Fellow, and his project "The Arab Ashkenazi" looks at Jewish Ashkenazi acculturation in the Arab Levant. Wallach has also published articles in Haaretz, the Guardian, and other media.

Episode Information

Series
Israel Studies Seminar
People
Yair Wallach
Keywords
hebrew
palestine
Jerusalem
Department: School of Interdisciplinary Area Studies (SIAS)
Date Added: 22/10/2020
Duration: 01:22:45

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Episode 2 - Afrofuturism: For who?

Series
Narrative Futures
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Mohale Mashigo describes her relationship with time, imagining a future inflected by apartheid, and her controversial Afrofuturism essay.

Episode Information

Series
Narrative Futures
People
Mohale Mashigo
The Yearning
afrofuturism
apartheid
South Africa
science fiction
speculative fiction
fantasy
representation
narrative futures
futures thinking network
Keywords
Mohale Mashigo
Chelsea Haith
Louis Greenberg
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 22/10/2020
Duration: 00:32:58

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Live Event: Imagined Journeys: Pilgrimage, Diplomacy, and Colonialism in Medieval Europe

Series
TORCH | The Oxford Research Centre in the Humanities
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TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events!. Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
Join us to discuss Imagined Journeys: Pilgrimage, Diplomacy, and Colonialism in Medieval Europe - Professor Marion Turner (Faculty of English) in Conversation with writer Matthew Kneale.

In this event, Marion and Matthew discuss their recent books – Matthew’s novel, Pilgrims, and Marion’s biography, Chaucer: A European Life – both of which focus on medieval journeys across Europe. They will discuss different aspects of medieval travel – ranging from colonialism in Wales to the expulsion of the Jews from England, from diplomacy and cultural exchange to pilgrimage, both real and imagined. One of the issues underpinning their work, and this conversation, is the question of what it means to be English and what it means to be European – both then and now.



Biographies:

Professor Marion Turner, Tutorial Fellow of Jesus College and Associate Professor of English, University of Oxford

Marion Turner works on late medieval literature and culture, focusing especially on Geoffrey Chaucer. Her most recent book, Chaucer: A European Life (Princeton, 2019) argues for the importance of placing Chaucer in multilingual and international contexts, tracing his journeys across Europe and his immersion in global trade routes and exchanges. It was named as a book of the year 2019 by the Times, the Sunday Times, and the TLS, and was shortlisted for the Wolfson History Prize 2020.

‘An absolute triumph’ A.N. Wilson, Times Literary Supplement

‘A quite exceptional biography,’ Wolfson History Prize judges



Matthew Kneale

Matthew Kneale was born in London in 1960, the son of two writers and the grandson of two others. His father, Nigel Kneale, was a screenwriter for film and television, best known for the ‘Quatermass’ series. Matthew’s mother, Judith Kerr, was the author and illustrator of children’s books including ‘The tiger who came to tea’ and ‘Mog the forgetful cat’ while she has also written three autobiographical novels, beginning with ‘When Hitler stole pink rabbit’.

From his earliest years Matthew was fascinated by different worlds, both contemporary and from the past. After studying at Latymer Upper School, London, he read Modern History at Magdalen College, Oxford. During his university years he began travelling, seeing diverse cultures at first hand, in Asia, Europe and Latin America.

Matthew's books include: Whore Banquets, Inside Rose’s Kingdom, Sweet Thames, English Passengers, Small Crimes in an Age of Abundance, When we were Romans and An Atheist’s History of Belief. Matthew's current novel, Pilgrims, explores medieval life, shaped by religious laws as well as personal battles and follows a fascinating cast of characters on a journey from England to Rome.

When not writing Kneale enjoys to travel and has visited some eighty countries and seven continents. He is also fascinated with languages, trying his hand at learning a number, from Italian, Spanish, German and French to Romanian and Amharic Ethiopian. Matthew currently lives in Rome with his wife, Shannon, and their two children, Alexander and Tatiana.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Marion Turner
Matthew Kneale
Keywords
history
european history
medieval history
religion
pilgrimage
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 21/10/2020
Duration: 01:11:40

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Live Event: White Rose - Voices of the German Resistance

Series
TORCH | The Oxford Research Centre in the Humanities
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TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
Join Dr Alex Lloyd (Fellow by Special Election in German, St Edmund Hall, Oxford) and Tom Herring (Artistic Director of SANSARA) to discuss White Rose - Voices of the German Resistance.



In 1943 five students and a professor at the University of Munich were executed. They had been part of the White Rose, a group that secretly wrote and distributed pamphlets calling on Germans to resist Hitler. The White Rose Project, a research and outreach initiative led by Dr Alex Lloyd at the University of Oxford, works to bring the story of this incredible group to an English-speaking audience.

White Rose - Voices of the German Resistance is a collaboration between the White Rose Project and SANSARA, an award-winning vocal ensemble led by Artistic Director Tom Herring. This project combines the two performance forces of the spoken word and a cappella choral music to tell this remarkable story. Music is juxtaposed with excerpts from the resistance group’s letters, diaries and pamphlets. The majority of these texts are only now being translated into English by students at Oxford. The music gives a background to the texts and speaks in dialogue with them, creating resonances, dissonances, and a chance for reflection.

In this live event, Alex and Tom discuss their work together with short excerpts from their concert on 22 February 2020, SANSARA’s last live performance before lockdown. This short film gives a brief introduction to the project https://youtu.be/76vhQmHQR1o

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Alex Lloyd
John Herring
Keywords
history
resistance
fascism
nazism
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 19/10/2020
Duration: 00:52:40

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To the Volcano and Other Stories

Series
African Studies Centre
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Elleke Boehmer (University of Oxford) in conversation with Wale Adebanwi (University of Oxford)

Episode Information

Series
African Studies Centre
People
Wale Adebanwi
Elleke Boehmer
Keywords
short stories
Africa
Department: Centre for African Studies
Date Added: 16/10/2020
Duration: 00:40:54

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The Terra Lectures in American Art Part 1: Regarding the Portrait: The Primers

Series
History of Art: Terra Foundation Lecture Series in American Art
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Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Moderator; Alastair Wright: Alastair Wright is Head of the History of Art Department and Tutorial Fellow in Art History at St John’s College, Oxford.
Regarding the Portrait: The Primers

In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation’s exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity.

This lecture examines the factors that influenced the development of pedagogical strategies for reading and realizing the portrait as conceived for students at Historically Black Colleges and Universities during the post-bellum era. Through engravings illustrating etiquette books and early photography, Professor Mooney traces the precedents for the ideological situating of black subjectivity within the politics of respectability that later inform the rhetorical trope of the New Negro.

Episode Information

Series
History of Art: Terra Foundation Lecture Series in American Art
People
Amy M. Mooney
Keywords
art
American Art
Terra Lectures
portrait
Department: Department of History of Art
Date Added: 16/10/2020
Duration: 01:25:04

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The Terra Lectures in American Art Part 3: Regarding the Portrait: The Progressives

Series
History of Art: Terra Foundation Lecture Series in American Art
Embed
Professor Amy M. Mooney, Terra Foundation Visiting Professor in American Art Hosted by TORCH. Moderator: Melanie Chambliss, Assistant Professor in the Humanities, History, and Social Sciences Department at Columbia College Chicago.
In this four-part lecture series, Professor Amy Mooney examines the central role portraiture played in fostering social change in the United States from the 1890s through the 1950s. Drawing from her forthcoming book, Portraits of Noteworthy Character, Professor Mooney considers the strategic visual campaigns generated by individuals and social institutions that used the portrait to advance their progressive political ideologies. From the etiquette texts used at historically black colleges to the post cards produced by Hull House to the Harmon Foundation’s exhibition of “Portraits of Outstanding Americans of Negro Origin,” this series explores the ways in which the portrait was employed to build social relationships and negotiate modern subjectivity.

At the turn of the twentieth century, U.S. national consciousness was challenged by both migration and immigration. White progressives, such as Jane Addams, sought to improve the conditions of newly arrived immigrants and borrowed strategies for racial, adapting them to encourage assimilation. Looking at images generated by Joseph Stella, Norah Hamilton and Lewis Hine, Professor Mooney considers how portraits from the progressive era contributed to the emerging constructs of race and ethnicity across the color line.

Episode Information

Series
History of Art: Terra Foundation Lecture Series in American Art
People
Amy M. Mooney
Keywords
art american art
Terra Lectures
portrait
Department: Department of History of Art
Date Added: 16/10/2020
Duration: 01:16:49

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