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The birth of gravitational wave astronomy

Series
Theoretical Physics - From Outer Space to Plasma
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Subir Sarkar reviews the detection of the ‘chirrup’ signal from a pair of merging massive black holes by the Laser Interferometer Gravitational-Wave Observatory, as well as subsequent experimental developments.

Episode Information

Series
Theoretical Physics - From Outer Space to Plasma
People
Subir Sarkar
Keywords
Physics
gravitation
LIGO
black hole
Department: Department of Physics
Date Added: 10/05/2017
Duration: 00:42:46

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From action at a distance to gravitational waves

Series
Theoretical Physics - From Outer Space to Plasma
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James Binney gives a talk about the mathematics that describe Gravitational waves.

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Series
Theoretical Physics - From Outer Space to Plasma
People
James Binney
Keywords
Physics
gravitation
Department: Department of Physics
Date Added: 10/05/2017
Duration: 00:46:40

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Dystopia Today

Series
TORCH | The Oxford Research Centre in the Humanities
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The TORCH Crisis, Extremes, and Apocalyse network have hosted an event on 'Dystopia Today' with Greg Claeys (Royal Holloway, University of London).
What does it mean to say, as so many now do, that we live in "dystopian" times? With widespread anxiety introduced by Brexit, the Trump presidency, and comparisons with Hitler, and the 1930s, and environmental catastrophe looming, are we on the cusp of a new dystopia? Gregory Claeys considers what dystopia means to us, how the literary tradition helps us to engage with it, and what to do about it.

Greg Claeys is the author of the recently published Dystopia: A Natural History.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Greg Claeys
Keywords
dystopian
Brexit
trump
Environment
catastrophe
crisis
extremes
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 10/05/2017
Duration: 00:40:57

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Writing an Arab Officer into the 1948 War for Palestine

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Middle East Centre
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Professor Laila Parsons (McGill University), gives a talk for the Middle East seminar series. Chaired by Eugene Rogan (St Antony's College, Oxford).
Laila Parsons is a historian specializing in the modern Middle East. She received her D.Phil. from Oxford in 1996, and taught at Harvard and Yale before moving in 2004 to McGill University, where she is currently Associate Professor of History and Islamic Studies. Parsons’ research focuses on the history of the Israeli-Palestinian conflict and on the role of narrative and biography in the field of modern Middle Eastern History. She has published widely in this area, including her books The Druze between Palestine and Israel, 1947–1949 (St Antony’s/Macmillan, 2000) and The Commander: Fawzi al-Qawuqji and the Fight for Arab Liberation, 1914-1948 (Hill & Wang/Farrar Straus & Giroux, 2016), which uses the life-story of an Arab officer and anti-colonial rebel as a prism through which to tell the story of the Eastern Arab World in the first half of the 20th Century. She is currently writing a new book on Palestinian participation in the Peel Commission (1936-1937), with a focus on how the procedures of the commission were determined, and on whether or not the Commission was a space of real political possibility for the Palestinians. 

Episode Information

Series
Middle East Centre
People
Laila Parsons
Eugene Rogan
Keywords
politics
middle east
history
palestine
Department: Middle East Centre
Date Added: 09/05/2017
Duration: 00:42:53

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Photo Archives VI: The Place of Photography and the Phases of Digitisation

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Photo Archives VI: The Place of Photography
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Nina Lager Vestberg (Norwegian University of Science and Technology) discusses the digital condition of photography through a phase model of digitisation.
What do we talk about when we talk about digitisation? People working with photographic images tend to understand this concept in different ways, depending on whether they work in museums, archives, the stock photo industry, media outlets, publishing, or education. Photography holds a significant place in all these fields of endeavour, the impact of digitisation has likewise been varied across these different areas. Inspired by the sociologist Roland Robertson’s (1992) attempt at ‘mapping the global condition’ through the development of a ‘minimal phase model of globalisation’, this paper charts the digital condition of photography through a similar phase model of digitisation, in which the ‘place’ of photography is plotted against a set of cultural, social, technological and economic coordinates.

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Nina Lager Vestberg
Keywords
photography
archives
heritage
history
art
technology
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:20:02

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Photo Archives VI: Archive, Exhibition, Book: 'The Family of Man' Reconstituted

Series
Photo Archives VI: The Place of Photography
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Shamoon Zamir (New York University Abu Dhabi) discusses the 'The Family of Man' exhibition and its related archives.
Apart from early reviewers and commentators, everyone who has written on the famous The Family of Man Exhibition has done so without the benefit of having seen it at the Museum of Modern Art in 1955 in its original iteration. The reliance on the book of the exhibition has consequently substituted for the exhibition and greatly distorted our understanding of Edward Steichen’s curatorial design. Shown, according to one count, in more than 40 countries and seen by over 9 million people, The Family of Man was a defining event in the global history of photography. This paper attempts to explore the ways in which the Museum of Modern Art’s archives and the archives of the United States Information Agency help us revise this history and develop new perspectives on Steichen’s exhibition.

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Shamoon Zamir
Keywords
photography
archives
heritage
history
art
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:26:25

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Photo Archives VI: Archiving Royal Heirlooms: The publication of the Crown treasures of the Galerie d'Apollon (Louvre) and its materiality

Series
Photo Archives VI: The Place of Photography
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Pascal Griener (University of Neuchatel) discusses photographic reproductions of the French crown jewels made for their auction in 1887.
During the second half of the nineteenth century, the royal heirlooms were exhibited in the Galerie d’Apollon in the Louvre. Even after the Third Republic, they remained very popular with the wider public. However, for political reasons, some diamonds from the French crown jewels were auctioned in the Louvre itself in May 1887. This paper analyses the major attempts made to picture these exceptional pieces, and to sell their reproductions in portfolios. The information delivered through these photographs as a group was anything but neutral in this context. The paper aims to reconstruct the functioning of these images within the framework of art history of this time.

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Pascal Griener
Keywords
photography
archives
heritage
history
art
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:22:19

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Photo Archives VI: From Trash to Treasure: Loss, Value, and the Photo Archive

Series
Photo Archives VI: The Place of Photography
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Catherine E. Clark (MIT) discusses the life cycle of anonymous photographic archives.
This paper examines the trope of ‘trash to treasure’ in the history of photo archives. This paper’s key example is the revaluation and profit generation of an archive of amateur prints and albums collected in the 1980s by a French production company based in Marseille. They were used primarily for a show ‘Souvenirs, souvenirs’ that ran on ARTE in the 1980s. This paper will use this show and its archive to think through the life cycle of similar anonymous photographic archives. It asks: is there anything particularly photographic about trash-treasure narratives? What role does quantity play in producing photographic value? And how do photographs form new, secondary, affective meanings?

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Catherine E. Clark
Keywords
photography
archives
heritage
history
art
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:23:49

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Photo Archives VI: Saving Space, Mediating Place: Photography and the Reproduction of Collections and Archives

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Photo Archives VI: The Place of Photography
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Estelle Blaschke (University of Lausanne) discusses the development and growth in use of microfilm during the 1920s and 1930s.
The use of photography as a copying machine in libraries and museums started around 1870. While the potential and the advantages of photographic reproduction for copying purposes were already discussed since the early days of photography, the idea and the practice matured during the 1920s and 1930s with the introduction of microfilm. This paper examines the technological developments and the formation of networks of people, research units, associations and public institutions during the 1920s and 1930s that solidified the idea of microfilm as an information technology of the future. The paper will ask how the medium played into the continued expansion and democratization of knowledge.

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Estelle Blaschke
Keywords
photography
archives
heritage
history
technology
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:11:40

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Photo Archives VI: Photography as Protocol

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Photo Archives VI: The Place of Photography
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Kelley Wilder (De Montfort University) discusses photography as a scientific protocol
This talk examines the idea that photography has entered into the protocols of archive practice, informing and perhaps deforming them beyond recognition. What might a photographic protocol be? And how could an image, a photographic image, act within the confines expected of protocols? The paper explores how photographic practices and the protocols of archiving have come together in the nineteenth and twentieth centuries. The paper also interrogates how far the idea of photographic protocols can lead to a better understanding of the place of photographs and photographic archives within disciplinary imperatives.

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Kelley Wilder
Keywords
photography
archives
heritage
history
science
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:20:37

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