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Photo Archives VI: The Laboratory as Photo Archive

Series
Photo Archives VI: The Place of Photography
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Chitra Ramalingam (Yale University) discusses photographic collections within science laboratories
Experimental practice in laboratories sometimes generates vast quantities of visual records. Such sites produce an imperative to analyse, store, and bring order to large collections of experimental images. Laboratory practice thus has a museological dimension rarely acknowledged in science studies, while laboratory image archives – when considered as collections rather than as individual images – have aesthetic and epistemic dimensions rarely explored in histories of art. This talk presents a few examples of modern physical laboratories, including the Kodak Research Laboratory and Los Alamos National Laboratory, that have functioned in part as photographic archives and explores the cultural forces under which their photo collections have variously been maintained together, dispersed, or destroyed.

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Series
Photo Archives VI: The Place of Photography
People
Chitra Ramalingam
Keywords
photography
archives
heritage
history
science
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:24:59

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Photo Archives VI: Vision in Doubt: Arctic Photography, Victorian Geology, and its Anglo-American Debates

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Photo Archives VI: The Place of Photography
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Luke Gartlan (University of St Andrews) discusses Victorian arctic photography in The Arctic Regions (1873) and an unpublished album.
William Bradford's The Arctic Regions has often been cited as an exemplar of the Victorianera photobook. Published in 1873 by the renowned firm of Sampson Low, Marston, Low, and Searle, this imposing volume marked a new phase in private efforts to profit from the trans-Atlantic interest in Arctic subjects. Yet the systematic first-person narrative and captioned prints of this photobook belie the shifting contexts, applications, and private debates that had accrued to these photographs in the intervening years between the voyages and the publication. This paper aims to contrast selections from The Arctic Regions with an unpublished, privately compiled photographic album in the National Library of Scotland, Edinburgh.

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Series
Photo Archives VI: The Place of Photography
People
Luke Gartlan
Keywords
photography
archives
heritage
history
arctic
polar
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:23:51

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Photo Archives VI: Sticking points: Photographic albums and the forgetful archives of Egyptian archaeology

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Photo Archives VI: The Place of Photography
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Christina Riggs (University of East Anglia) discusses the 'forgetfulness' of photo albums from excavations in colonial and interwar Egypt.
Almost every archive associated with fieldwork from archaeology's 'golden age' includes photographic albums. The album was one way of ordering, and producing, the knowledge of the past that was archaeology’s ostensible goal. But like the process of photography itself, archival processes such as assembling an album also reflected - and shaped - knowledge of the present, and in particular, a knowledge of the places where archaeology did its work. This paper explores the quality of forgetfulness that albums enable, alongside the question of place, by considering the creation, form and content, and subsequent histories and uses of albums originating from excavations in colonial and interwar Egypt.

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Series
Photo Archives VI: The Place of Photography
People
Christina Riggs
Keywords
photography
archives
heritage
history
archaeology
Egyptian
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:26:35

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Photo Archives VI: The Relational Album: Photographic Networks, Anthropology, and the Learned Society

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Photo Archives VI: The Place of Photography
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Christopher Morton (University of Oxford) discusses the concept of the relational museum applied to an album from the Anthropological Society in London.
This paper takes the notion of the ‘relational museum’ – the concept that museum objects to some degree conceal the mass of relations that lie behind them – and applies it to a nineteenth-century album compiled at meetings of the Anthropological Society in London. The album is something of a ‘scrapbook’, as such this album is a particularly important ‘relational’ object, enabling a rich and nuanced insight into the relationships between photography, anthropological knowledge, and scientific networks in nineteenth-century London. The paper gives an overview of the album’s relational networks and suggest ways in which it shifts our understanding of photography and anthropology in a crucial period in the discipline’s early history.

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Series
Photo Archives VI: The Place of Photography
People
Christopher Morton
Keywords
photography
archives
heritage
history
anthropology
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:22:46

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Photo Archives VI: The Archive in Transition: Reframing Josef Sudek’s Photographic Reproductions of Art

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Photo Archives VI: The Place of Photography
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Katarina Masterova (Institute of Art History, The Czech Academy of Sciences) discusses the objecthood of Josef Sudek's photographic archive.
This paper examines the process of revaluing Josef Sudek’s (1896–1976) professional archive of almost 20,000 photographic reproductions of works of art housed in the photo library of the Institute of Art History of the Czech Academy of Sciences. Transferred from Sudek’s studio in 1978, this collection was, until recently, interpreted merely as an art historical tool to view the depicted artworks. The paper discusses the ways in which restoring the objecthood of the analogue photographs facilitates the process of reclaiming and re-identifying the archive’s lost functions and meanings. Thus this methodological shift reconstructs the archive as a multifunctional reservoir, which, through the process of transfer between various spaces, uncovers innovative analytical approaches and produces new layers of historical knowledge.

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Photo Archives VI: The Place of Photography
People
Katarína Mašterová
Keywords
photography
archives
heritage
art
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:22:39

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Photo Archives VI: Transports of Vision: Frederic Edwin Church's Photographic Collection of the Mediterranean and Middle East

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Photo Archives VI: The Place of Photography
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Frederick N. Bohrer (Hood College) discusses Frederic Edwin Church's photographic collection.
The 19th-century American painter Frederic Edwin Church’s photographic collection is an object lesson in archival curation. It does not fully illustrate or inform a viewer about place so much as it assembles (and excludes from vision) a controlled locale. Church’s collection embodies a variety of uses of photographic imagery in the context of a mobile subject, located within a larger network of cultural authorities and visual purveyors. It also presents a view of the porous boundaries between other visual media that photography inserted itself within, which works to problematize or fracture their claims to objectivity and invites new ways to theorize them.

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Photo Archives VI: The Place of Photography
People
Frederick N. Bohrer
Keywords
photography
archives
heritage
history
art
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:22:32

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Photo Archives VI Welcome Day 2

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Photo Archives VI: The Place of Photography
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Opening remarks on the second day of the conference.
Costanza Caraffa has been Head of the Photothek at the Kunsthistorisches Institut in Florenz, Max-Planck-Institut since 2006. In 2009 she initiated the Photo Archives conference series dedicated to the interaction between photographic archives, photography and academic disciplines.

Episode Information

Series
Photo Archives VI: The Place of Photography
People
Constanza Caraffa
Keywords
photography
archives
digitisation
heritage
history
and looks at the reasons for its growth. Martin Slater (Emeritus Fellow in Economics) national debt
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:06:28

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Photo Archives VI Welcome Day 1

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Photo Archives VI: The Place of Photography
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Opening remarks on the first day of the conference.
Geraldine A. Johnson is Associate Professor of History of Art at Oxford University and a Fellow of Christ Church, Oxford. She is the editor of Sculpture and Photography: Envisioning the Third Dimension and co-editor of Picturing Women in Renaissance and Baroque Italy. Deborah Schultz is Senior Lecturer in Art History and Visual Culture at Regent’s University London. She completed her doctorate at the University of Oxford on Marcel Broodthaers: Strategy and Dialogue (published 2007).

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Series
Photo Archives VI: The Place of Photography
People
Geraldine Johnson
Deborah Schultz
Keywords
photography
archives
digitisation
heritage
history
art
Department: Department of History of Art
Date Added: 09/05/2017
Duration: 00:12:05

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The economic accomplices of Pinochet's dictatorship

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Oxford Transitional Justice Research Seminars
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Leigh Payne, Cristian Olmos Herrera, Sebastian Smart and Marcos Gonzalez Hernando give a talk for the OTJR seminar series.

Episode Information

Series
Oxford Transitional Justice Research Seminars
People
Leigh Payne
Cristian Olmos Herrera
Sebastian Smart
Marcos Gonzalez Hernando.
Keywords
justice
law
politics
Department: Centre for Criminology
Date Added: 09/05/2017
Duration: 01:00:28

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Photo Archives VI: The Place of Photography

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Photo Archives VI: The Place of Photography
This major international conference was convened by Geraldine Johnson (University of Oxford), Deborah Schultz (Regent's University London), and Costanza Caraffa (Kunsthistorisches Institut in Florenz—Max-Planck-Institut). It is the sixth in the Photo Archives conference series.

This conference took place on April 20–21, 2017.

The conference investigated photographs and photographic archives in relation to notions of place. In this context, place was used to explore both the physical location of a photograph or archive, as well as the place of photography as a discursive practice with regard to its value or significance as a method of viewing and conceiving the world. Photographs are mobile objects that can change their location over time, transported to diverse commercial, artistic, social, academic and scientific locations. The photograph’s physical location thus has an impact upon its value, function and significance; these topics were explored at the conference through a range of archives and across disciplines. How might the mobility of photographs open up thinking about archives and, in turn, classificatory structures in disciplines such as Art History, Archaeology and Anthropology, or in the Sciences? The conference also addressed questions of digital space, which renders the image more readily accessible, but complicates issues relating to location. What is the place, or value, of the photographic archive in the digital age?

It was sponsored by the Kress Foundation, the John Fell Fund and the History Faculty's Sanderson Fund at the University of Oxford, and Christ Church, Oxford.

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