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Tomorrow Got Here Yesterday

Series
Broadcast Media
Embed
Last of four lectures exploring the relationship between creativity and commerce through the prism of late 20th and early 21st century TV fiction on both sides of the Atlantic.

Episode Information

Series
Broadcast Media
People
Stephen Garrett
Keywords
simpsons
television
kudos
producer
sopranos
tv
media
life on mars
creative
broadcast
production
spooks
six feet under
film
hustle
Department: Faculty of English Language and Literature
Date Added: 11/05/2010
Duration: 00:58:50

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No More Heroes

Series
Broadcast Media
Embed
Third of four lectures exploring the relationship between creativity and commerce through the prism of late 20th and early 21st century TV fiction on both sides of the Atlantic.

Episode Information

Series
Broadcast Media
People
Stephen Garrett
Keywords
simpsons
television
kudos
producer
sopranos
tv
media
life on mars
creative
broadcast
production
spooks
six feet under
film
hustle
Department: Faculty of English Language and Literature
Date Added: 11/05/2010
Duration: 00:51:31

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Why the Only Rule is that there are No Rules

Series
Broadcast Media
Embed
Second of four lectures exploring the relationship between creativity and commerce through the prism of late 20th and early 21st century TV fiction on both sides of the Atlantic.

Episode Information

Series
Broadcast Media
People
Stephen Garrett
Keywords
simpsons
television
kudos
producer
sopranos
tv
media
life on mars
creative
broadcast
production
spooks
six feet under
film
hustle
Department: Faculty of English Language and Literature
Date Added: 11/05/2010
Duration: 00:50:54

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How to Grow a Creative Business According to the Laws of Chance

Series
Broadcast Media
Embed
First of four lectures exploring the relationship between creativity and commerce through the prism of late 20th and early 21st century TV fiction on both sides of the Atlantic.

Episode Information

Series
Broadcast Media
People
Stephen Garrett
Keywords
simpsons
television
kudos
producer
sopranos
tv
media
life on mars
creative
broadcast
production
spooks
six feet under
film
hustle
Department: Faculty of English Language and Literature
Date Added: 11/05/2010
Duration: 00:57:00

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Broadcast Media

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Broadcast Media
The News International Visiting Professorship of Broadcast Media was established in 1996, as part of a generous benefaction from Rupert Murdoch. It is an annual appointment and the Professor will give at least 4 lectures during the academic year (usually in January/February).

2010's Visiting Professor is television and film producer Stephen Garrett, the man who brought Spooks and Life on Mars to our screens. Oxford alumnus Professor Garrett read jurisprudence at Merton College and is now Executive Chairman of Kudos Film and Television Ltd, one of Britain's premier television production companies.
His lectures explore the relationship between creativity and commerce through the prism of late 20th and early 21st century TV fiction on both sides of the Atlantic.
The 2011 Professor, Matthew Engel, the journalist and sports writer, gave a series of lectures entitled 'Please, mister, can we have our ball back? Sport, the media, and the people'

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Conclusion to Crossing Borders

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
Embed
The conclusion to the Crossing Borders exhibition. The exhibition tells the story of how Jews, Christians and Muslims have contributed to the development of the book.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
People
Piet van Boxel
Keywords
written word
christian
jews
manuscript
bible
muslim
torah
library
religion
bodleian
muslims
books
exhibition
hebrew
oxford
qur'an
manuscripts
book
christians
Jew
Department: Bodleian Libraries
Date Added: 10/05/2010
Duration: 00:00:31

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Sciences

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
Embed
Piet looks at how the works of famous ancient thinkers such as Aristotle, Hippocrates, Euclid or Ptolemy traveled from culture to culture and formed the basis of Muslim, Christian and Jewish science and philosophy alike.
Ancient Greek science and philosophy reached Christian Europe mainly through the Islamic world. A large corpus of Greek scientific works had been translated into Arabic (often via Syriac) in the eighth and ninth centuries, and Muslim thinkers continued to practice and advance these so-called 'foreign sciences'. Jews who lived under Islamic rule contributed scientific works of their own, written in Arabic. In the twelfth century the works of Greek, Muslim and also some Jewish thinkers started to be translated from Arabic into Latin, often with the help of Jews. Hebrew translations from Arabic made the same works available to Jews in Europe. Thus the works of famous ancient thinkers such as Aristotle, Hippocrates, Euclid or Ptolemy traveled from culture to culture and formed the basis of Muslim, Christian and Jewish science and philosophy alike.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
People
Piet van Boxel
Keywords
written word
christian
jews
manuscript
bible
muslim
torah
library
religion
bodleian
muslims
books
exhibition
hebrew
oxford
qur'an
manuscripts
book
christians
Jew
Department: Bodleian Libraries
Date Added: 10/05/2010
Duration: 00:01:21

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User-produced Hebrew Prayer Books and Shared Iconography

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
Embed
Some Hebrew manuscripts were produced in Christian workshops, others were made by Jewish artists themselves for their own use. Piet looks at examples of these and explores the shared iconography between Christian and Jewish faiths, such as the unicorn.
Some Hebrew manuscripts were produced in Christian workshops, while others were made by Jewish artists themselves for their own use. An Ashkenazic siddur stands out as an example of a Jewish scribe-artist, influenced by the visual culture of his time, who drew on models, motifs and specialized techniques current in fifteenth-century Germany to illustrate his prayer book. Hebrew manuscripts shared iconography with other manuscripts from the same geo-cultural area. Italian Hebrew manuscripts thus recall the scenery of central Italy and depict the same plants and animals that appear in Latin manuscripts produced in local workshops, such as the famous atelier of Taddeo Crivelli in Ferrara. The mythological unicorn was a shared icon whose symbolic meaning depended on the genre or context. In Christian iconography the unicorn, resting with its feet in the lap of the Virgin, symbolises the incarnation of Christ; while in Jewish tradition it stands for the final redemption of Israel.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
People
Piet van Boxel
Keywords
written word
christian
jews
manuscript
bible
muslim
torah
library
religion
bodleian
muslims
books
exhibition
hebrew
oxford
qur'an
manuscripts
book
christians
Jew
Department: Bodleian Libraries
Date Added: 10/05/2010
Duration: 00:03:38

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Hebrew Prayer Books for Public Use

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
Embed
Piet looks at the three great Bodleian mahzorim (large and elaborately decorated prayer books for the festivals), which were illuminated by Christian painters in collaboration with and under the supervision of Jewish scribes.
The majority of Hebrew manuscripts were copied out by Jews for their personal use. But during the second half of the thirteenth and the first half of the fourteenth centuries large and elaborately decorated prayer books for the festivals (mahzorim) were produced for communal use in the liturgy. Wealthy laymen vied with each other for the honour of leading prayers on festive occasions. These were the same men who commissioned large and splendidly decorated prayer books as status symbols. They wanted to enhance their prestige by employing the most sought-after professional scribes, by commissioning larger and larger volumes, and by engaging the best illuminators - often Christian artists. In fact, all three of the great Bodleian mahzorim were illuminated by Christian painters in collaboration with and under the supervision of Jewish scribes.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
People
Piet van Boxel
Keywords
written word
christian
jews
manuscript
bible
muslim
torah
library
religion
bodleian
muslims
books
exhibition
hebrew
oxford
qur'an
manuscripts
book
christians
Jew
Department: Bodleian Libraries
Date Added: 10/05/2010
Duration: 00:03:23

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Arabic Art Forms in Spanish Book Production

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
Embed
Piet explains Arabic design and illustration in Spanish books, looking in particular at the Kennicott Bible, produced in La Coruna, Spain, in 1476.
Distinctive features of Arabic books, including their non-figurative illuminations, are manifest in Hebrew manuscripts produced under Muslim domination in medieval Spain. Biblical manuscripts in particular were inspired by the decorations found in manuscripts of the Qur'an, as well as by geometric or floral patterns typical of Islamic architecture. Islamic decorative patterns continued to be used by Jewish illuminators in Christian Spain after Muslim rule had ended there. Carpet pages - full-page, abstract decorations recalling the design of carpets - and micrography - patterns made using lines of minute script - were frequently included in fourteenth- and fifteenth-century Bibles. This type of decoration is not found in Italian or northern European Hebrew books.
Creative Commons Licence
Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK (BY-NC-SA): England & Wales; https://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Episode Information

Series
Crossing Borders: Hebrew Manuscripts as a Meeting-place of Cultures
People
Piet van Boxel
Keywords
written word
christian
jews
manuscript
bible
muslim
torah
library
religion
bodleian
muslims
books
exhibition
hebrew
oxford
qur'an
manuscripts
book
christians
Jew
Department: Bodleian Libraries
Date Added: 10/05/2010
Duration: 00:01:36

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