Skip to main content
Home

Main navigation

  • Home
  • Series
  • People
  • Depts & Colleges
  • Open Education

Main navigation

  • Home
  • Series
  • People
  • Depts & Colleges
  • Open Education

In Conversation with Lolita Chakrabarti

Series
TORCH | The Oxford Research Centre in the Humanities
Embed
Part of the Humanities Cultural Programme, one of the founding stones for the future, Stephen A. Schwarzman Centre for the Humanities on Thursday 13th May 2021.
Join us for a fascinating evening with award-winning playwright and actress Lolita Chakrabarti in conversation with journalist Matt Wolf. Streamed live from an Oxford venue and chaired by Dr Sos Eltis, the event will cover Lolita’s wide-ranging career and hone in on her most recent play, Hymn, at the Almeida Theatre.

Lolita Chakrabarti is an award-winning playwright and actress. Writing credits include the award-winning stage adaptation of Life of Pi, which will open in the West End in 2021, the ambitious Invisible Cities (MIF), Hymn (Almeida) and Red Velvet, which opened at the Tricycle Theatre before transferring to London’s West End and New York. Acting credits include playing Queen Gertrude, opposite Tom Hiddleston, in Sir Kenneth Branagh's Hamlet (RADA), Fanny & Alexandra (Old Vic) and Free Outgoing (Royal Court). A Casual Vacancy (BBC1/HBO), To Provide All People (BBC2), Beowulf (ITV), Jekyll and Hyde (ITV), Riviera (Sky), Criminal (Netflix) and Defending The Guilty (BBC).



Matt Wolf is an American theatre critic based in London, where he has spent his entire professional life. He moved to the UK directly upon graduating from Yale, where he read English and was co-arts editor of the Yale Daily News (a good place to begin). Soon upon arrival in London, he found work in a self-created job as arts and theatre writer for the Associated Press (AP), where he remained for 21 years. 

Along the way, following brief stints at the Wall Street Journal/Europe and The Hollywood Reporter, Matt became London theatre critic for Variety from 1992-2005, during which time he was freelancing regularly for The International Herald Tribune – now the International New York Times. Following the departure from his long-held post of the august Sheridan Morley, Matt became London theatre critic for the IHT/INYT, and in 2009 was thrilled to help birth The Arts Desk – an arts-centred website that within a few years of its inception was named best specialism journalism website at the Online Media Awards in London. He remains theatre editor at that site and reviews there across the cultural spectrum.

In addition to his journalism, Matt has collaborated on two books – one about Guys and Dolls, the other about Les Miserables – and is the author of Sam Mendes at the Donmar: Stepping into Freedom, an account of the theatre and film director Sam Mendes’s extraordinary tenure at one of London’s premier theatrical addresses. Matt sits on the panel of the Evening Standard Theatre Awards and is on the faculty of both NYU/London and the V&A Museum; he can be heard regularly on various radio programmes for both the BBC and Monocle. 



Following an acclaimed, sold-out live-streamed and on-demand runs, Lolita Chakrabarti's Hymn will be broadcast on Sky Arts on Sunday 18 April at 9pm. The world premiere of this production was directed by Blanche McIntyre and features actors Adrian Lester and Danny Sapani. Sky Arts is free to watch on Freeview Channel 11. Sky and NOW subscribers can also watch Hymn on-demand after the broadcast.





Lolita Chakrabarti is a HCP Visiting Fellow part of the Humanities Cultural Programme.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Lolita Chakrabarti
Matt Wolf
Keywords
writing
literature
film
thatre
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 21/05/2021
Duration: 01:22:06

Subscribe

Download

The messy realities of qualitative health research

Series
Evidence-Based Health Care
Embed
Dr Anne-Marie Boylan and Dr Laura Griffith, ​explore the value of qualitative health research and discuss what it's really like to undertake qualitative research.
Qualitative research is a naturalistic mode of inquiry. It is used to answer a variety of research questions that have relevance to health policy and practice. In this podcast, Dr Anne-Marie Boylan, Director of the Postgraduate Certificate in Qualitative Health Research Methods at the University of Oxford, and Dr Laura Griffith, a former academic who now works in public health, explore the value of qualitative health research and discuss what it's really like to undertake qualitative research.

Speaker biography
Dr Laura Griffith completed her PhD in Anthropology about Motherhood in the East End in 2006 completing research in London and Bangladesh. During this time she also worked as a consultant and was the Chair of the Management Board for Sure Start and actively involved in other public health projects. From there she started as a Research Fellow in Warwick as the PI for a project investigating the experiences of minority ethnic populations of acute psychiatric services. Next was leading a project at Aston University about multi-professional team working in Mental Health teams, and from there she moved to the Health Experiences Research Group, University of Oxford, where she completed modules on psychosis, giving up smoking and experiences of ECT for the renowned healthtalk.org. She went on to lecture at the University of Birmingham in the sociology of health, and led the Health and Well-being stream in the Institute for Research into Superdiversity. At Birmingham she left the academic side of health research and moved into health consultancy - normally working with partners from the third sector. She now works in public health. Date: 18 May 2021

Episode Information

Series
Evidence-Based Health Care
People
Anne-Marie Boylan
Laura Griffith
Keywords
Health
research
qualitative research
Centre for Evidence-Based Medicine
evidence based health care
Department: Medical Sciences Division
Date Added: 21/05/2021
Duration: 00:54:41

Subscribe

Download

Approximate Bayesian computation with surrogate posteriors

Series
Department of Statistics
Embed
Julyan Arbel (Inria Grenoble - Rhône-Alpes), gives an OxCSML Seminar on Friday 30th April 2021, for the Department of Statistics.

Episode Information

Series
Department of Statistics
People
Julyan Arbel
Keywords
statistics
mathematics
Bayes
Department: Department of Statistics
Date Added: 21/05/2021
Duration: 00:56:42

Subscribe

Download

Introduction to Bayesian inference for Differential Equation Models Using PINTS

Series
Department of Statistics
Embed
Ben Lambert, Department of Computer Science, University of Oxford, gives the Graduate Lecture on Thursday 6th May 2021, for the Department of Statistics.

Episode Information

Series
Department of Statistics
People
Ben Lambert
Keywords
statistics
mathematics
differential equations
Department: Department of Statistics
Date Added: 21/05/2021
Duration: 00:57:10

Subscribe

Download

On classification with small Bayes error and the max-margin classifier

Series
Department of Statistics
Embed
Professor Sara Van de Geer, ETH Zürich, gives the Distinguished Speaker Seminar on Thursday 29th April 2021 for the Department of Statistics.

Episode Information

Series
Department of Statistics
People
Sara Van de Geer
Keywords
statistics
Bayes
mathematics
Department: Department of Statistics
Date Added: 21/05/2021
Duration: 01:00:01

Subscribe

Download

Convergence of Online SGD under Infinite Noise Variance, and Non-convexity

Series
Department of Statistics
Embed
Murat Erdogdu gives the OxCSML Seminar on Friday 12th March, 2021, for the Department of Statistics.

Episode Information

Series
Department of Statistics
People
Murat Erdogdu
Keywords
statistics
maths
convergence
Department: Department of Statistics
Date Added: 21/05/2021
Duration: 01:00:40

Subscribe

Download

Making Film in Egypt

Series
Middle East Centre Booktalk
Embed
Join us as we listen to Dr Chihab El Khachab (King’s College, Cambridge) in conversation about his new book – Making Film in Egypt: How Labor, Technology, and Mediation Shape the Industry. Published by American University in Cairo Press.
Professor Walter Armbrust (St Antony's College, Oxford) chairs the discussion.

The book is available for purchase from the book distributors of the publisher, email: IPSUK.orders@ingramcontent.com and quote discount code AUCPRESS20 for your 20% discount. Offer available until 31st July 2021.

Chihab El Khachab is a British Academy Postdoctoral Fellow at the Faculty of Asian and Middle Eastern Studies, University of Cambridge. He holds a DPhil in Anthropology from the University of Oxford (2017), and was a Junior Research Fellow in Christ Church, Oxford, between 2016 and 2020. His first book, Making Film in Egypt: How Labor, Technology and Mediation Shape the Industry, was published by the American University in Cairo Press in 2021. His broader research interests include Egyptian popular culture, technology, humor, and bureaucracy.

Professor Walter Armbrust is a Hourani Fellow and Professor in Modern Middle Eastern Studies. He is a cultural anthropologist, and author of Mass Culture and Modernism in Egypt (1996); Martyrs and Tricksters: An Ethnography of the Egyptian Revolution (2019); and various other works focusing on popular culture, politics and mass media in Egypt. He is editor of Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond (2000).

Extract from publisher’s website:

The enormous influence of the Egyptian film industry on popular culture and collective imagination across the Arab world is widely acknowledged, but little is known about its concrete workings behind the scenes. Making Film in Egypt provides a fascinating glimpse into the lived reality of commercial film production in today’s Cairo, with an emphasis on labor hierarchies, production practices, and the recent transition to digital technologies. Drawing on in-depth interviews and participant observation among production workers, on-set technicians, and artistic crew members, Chihab El Khachab sets out to answer a simple question: how do filmmakers deal with the unpredictable future of their films? The answer unfolds through a journey across the industry’s political economy, its labor processes, its technological infrastructure, its logistical and artistic work, and its imagined audiences. The result is a complex and nuanced portrait of the Arab world’s largest film industry, rich in ethnographic detail and theoretical innovations in media anthropology, media studies, and Middle East anthropology.

Join us for our MEC live webinars – registration essential; details available from Middle East Centre Events | St Antony's College (ox.ac.uk) or subscribe to our weekly e-mailing newsletter by emailing mec@sant.ox.ac.uk or follow us on Twitter @OxfordMEC

Episode Information

Series
Middle East Centre Booktalk
People
Chihab El Khachab
Keywords
middle east
egypt
politics
film
popular culture
Department: Middle East Centre
Date Added: 18/05/2021
Duration: 00:23:50

Subscribe

Download

The Jurisprudence of the Inter-American Human Rights System: Standard-setting or International Law-making?

Series
Public International Law Part III
Embed
Ignacio de Casas, Austral University, Argentina, gives a seminar for the PIL discussion group.
The terms ‘international human rights standards’ or ‘inter-American human rights standards’ are often used by the Inter-American human rights bodies as almost a synonym for human rights or the obligations that States have in this area. In their discourse, these ‘standards’ are usually considered not to refer solely to the normative expression of human rights in treaties, custom or general principles of law. On the contrary, such expression is given a use that also includes non-binding instruments whose normative (legal) content is doubtful or, at least, its bindingness is not expressly declared or recognized by any international rule (e.g., declarations, resolutions of international organizations, judicial decisions, views and general comments of treaty bodies, case law of the Commission, etc.).

In recent years, the Inter-American Commission in particular has produced many thematic reports of so called ‘Inter-American standards’, which are compendia of the jurisprudence of the Court and the Commission. They contain no clear definition of the concept of standards. Yet, inadvertently or boldly, they are invoked as a rule of conduct (source of obligations) for States, even when their content has clearly not been determined by, or based on, the traditional sources of international law.

It is possible that this term is used as a performative utterance, pursuing a specific ideological intentionality with the meaning attributed (i.e., a progressive case for human rights). Is the jurisprudence of both the Inter-American Commission and Court a source of international law? Have they attributed themselves a law-making power?

C. Ignacio de Casas is an adjunct professor at Austral University in Argentina, where he also coordinates the Graduate Diploma in Human Rights Law. Prior to that, he worked for a law firm focussing on human rights international litigation. He has an Abogado degree from the University of Mendoza, a masters from the University of Oxford and is a PhD candidate at Austral University. He is also co-founder of the Centro Latinoamericano de Derechos Humanos (CLADH).

Episode Information

Series
Public International Law Part III
People
Ignacio de Casas
Keywords
law
human rights
jurisprudence
Department: Faculty of Law
Date Added: 18/05/2021
Duration: 00:41:58

Subscribe

Download

Women's Rights on The Altar of a Strategic Stake: The New Population Policy of the Islamic Republic of Iran

Series
Middle East Centre
Embed
Professor Marie Ladier-Fouladi (CNRS)/ CETOBaC) gives a talk for the MEC Women's Rights Research Seminars. Chaired by Soraya Tremayne (Institute of Social and Cultural Anthropology).
Marie Ladier-Fouladi is a senior Researcher at the French National Center for Scientific Research (CNRS)/ CETOBaC (Centre d’Études Turques, Ottomanes, Balkaniques et Centrasiatiques) and professor of Political Sociology and Population Studies at the École des Hautes Études en Sciences Sociales (EHESS) in Paris.

Marie Ladier-Fouladi earned her Ph.D. in Demography and Social Sciences from the EHESS (École des Hautes Etudes en Sciences Sociales - Paris) in 1999 and entered CNRS (National Center for Scientific Research) in 2000. In 2012, she earned her full Professorship (Habilitation à Diriger des Recherches -HDR) in Demography and Social Sciences. The title of her HDR’s dissertation was: “Understanding the Socio-Political Change Through the Prism of Demography”. In October 2019, she joined the Centre for Turkish, Ottoman, Balkan and Central Asian Studies (CETOBaC).

Her research investigates the relationship between demographic changes and socio-political transformations, especially relying on the case of Iran. This approach consists in analyzing demographic phenomena by putting them in relation to their context, in the historical, social, economic, and political perspective. It is from this reflection on the relationship between demography and politics, and the perspectives they open up to understand social behaviors that she has defined her methodological approach. She has conducted several research projects on women and youth as new protagonists of political change in Iran, family and solidarity networks, social policy, immigration policy, political elections and population’s political horizon in Iran. She recently started working on a new research program entitled: From Global to Local: The Disturbing Future of the Islamic Republic of Iran.

In 2010, the Iranian government reversed the neo-Malthusian policy it had introduced in December 1989, and opted for a new population policy that I will define as populationist. It consisted in deploying all possible means to reach a target population of 150 million, within an unspecified timeframe though. The supreme leader, Ali Khamenei, fully endorsed this policy, and in May 2014, for the sake of speeding up the process, he drew up a strategic program in a 14-article decree, called “Population General Policies”, which sanctioned the state’s new population policy, and instructed the legislative, the executive, and the judiciary powers to implement it.

Grounded in the alleged threat of population aging due to birth control and declining fertility, the new population policy aims to accelerate population growth by reversing the downward trend in fertility. There is no doubt that the process of population aging has started in Iran, but not to the extent that this demographic evolution may justify the implementation of incentive, coercive and particularly aggressive measures in order to entice Iranian people into having more children. While, by reappropriating their fertility, Iranian women succeeded in coming out of “the male sphere of domination” and thus reaching dignity and equality, they again find themselves subject to injunctions that violate their reproductive health rights and thereby their human rights.

I first shed light on the actual yet concealed objective of the new population policy of the Islamic Republic of Iran. The examination of coercive as well as incentives measures shall then evidence the detrimental effect of this new policy on Iranian women's rights.

Episode Information

Series
Middle East Centre
People
Marie Ladier-Fouladi
Keywords
modern middle eastern studies
iran
women’s rights
population studies
Department: Middle East Centre
Date Added: 18/05/2021
Duration: 00:33:57

Subscribe

Download

Cre-AI-tivity: Hogwarts 4ever?

Series
The Oxford/Berlin Creative Collaborations
Embed
The second in our trilogy of podcasts explores the role AI can play in story creation and development. We learn how machines can extend a fictional story world, as well as our interaction with it.
As 'digital sparring partner’ machines enable us to push our own creativity, literary theory helps us understand how creatives work, and how their role can be better understood.
As there is hesitation about Artificial Intelligence composing, painting or writing creatively, we focus on opportunities to train and amplify the human creative ‘muscle’. We examine the role of effective, bold human decisions as part of creative expression, besides tools like predictive text capabilities or allowing the reimagining of a creative work, e.g through a romantic algorithm. How can we visualise and otherwise explore meaning in a fresh way? What do we want from potential interaction, and are we missing the closure that is such an important part of experiencing a work of art? We anticipate the audience feeling more invested in the fictional world once put their own perspective into it, prompted by the AI. As we can stretch a narrative from 800 to 18.000 pages at the push of a button, how far are they willing to follow?

Episode Information

Series
The Oxford/Berlin Creative Collaborations
People
Abigail Williams
Jussi Ängeslevä
Carl Schoenfeld
Keywords
artificial intelligence
creativity
machine learning
neural networks
fiction
reading
teaching
storytelling
Story Worlds
authorship
audience
innovation
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 17/05/2021
Duration: 00:19:31

Subscribe

Download

Pagination

  • First page
  • Previous page
  • …
  • Page 1528
  • Page 1529
  • Page 1530
  • Page 1531
  • Page 1532
  • Page 1533
  • Page 1534
  • Page 1535
  • Page 1536
  • …
  • Next page
  • Last page

Footer

  • About
  • Accessibility
  • Contribute
  • Copyright
  • Contact
  • Privacy
  • Login
'Oxford Podcasts' X Account @oxfordpodcasts | Upcoming Talks in Oxford | © 2011-2026 The University of Oxford