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Recipes for transforming food production and beyond

Series
Oxford Martin School: Public Lectures and Seminars
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Paul Clarke, Ocado's Chief Technology Officer, will focus on the disruptive ingredients and recipes at the heart of Ocado's ongoing journey of self-disruption and reinvention.

Episode Information

Series
Oxford Martin School: Public Lectures and Seminars
People
Paul Clarke
Keywords
food
technology
business
Department: Oxford Martin School
Date Added: 05/11/2020
Duration: 00:58:09

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What is life?

Series
Oxford Martin School: Public Lectures and Seminars
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For this year's James Martin Memorial Lecture, Sir Paul Nurse will consider some of the fundamental ideas of biology with the aim of identifying principles that define living organisms.

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Series
Oxford Martin School: Public Lectures and Seminars
People
Paul Nurse
Keywords
biology
life
organisms
Department: Oxford Martin School
Date Added: 05/11/2020
Duration: 01:26:05

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Pandemic as event: thinking modern Indian society through a crisis

Series
Asian Studies Centre
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Conjunctures and crises reveal the fault lines of a society. Covid 19 and the resultant lockdown in India have brought back memories of the devastation wrought by the flu epidemic of 1918 and the political crackdown by the colonial government.
There has been a great abandonment of labour and the poor by the present government as much as an emerging compact between state and capital to restructure industrial relations to kickstart production once the lockdown is over. This moment gives us an occasion to reflect on the hardening contours of politics and society.

Episode Information

Series
Asian Studies Centre
People
Dilip Menon
Keywords
South Asian Studies
politics
Covid19
india
Department: St Antony's College
Date Added: 05/11/2020
Duration: 00:51:54

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Privacy Is Power

Series
Ethics in AI
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Part of the Colloquium on AI Ethics series presented by the Institute of Ethics in AI. This event is also part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
In conversation with author, Dr Carissa Veliz (Associate Professor Faculty of Philosophy, Institute for Ethics in AI, Tutorial Fellow at Hertford College University of Oxford). The author will be accompanied by Sir Michael Tugendhat and Dr Stephanie Hare in a conversation about privacy, power, and democracy, and the event will be chaired by Professor John Tasioulas (inaugural Director for the Institute for Ethics and AI, and Professor of Ethics and Legal Philosophy, Faculty of Philosophy, University of Oxford).
Summary

Privacy Is Power argues that people should protect their privacy because privacy is a kind of power. If we give too much of our data to corporations, the wealthy will rule. If we give too much personal data to governments, we risk sliding into authoritarianism. For democracy to be strong, the bulk of power needs to be with the citizenry, and whoever has the data will have the power. Privacy is not a personal preference; it is a political concern. Personal data is a toxic asset, and should be regulated as if it were a toxic substance, similar to asbestos. The trade in personal data has to end.

As surveillance creeps into every corner of our lives, Carissa Véliz exposes how our personal data is giving too much power to big tech and governments, why that matters, and what we can do about it.

Have you ever been denied insurance, a loan, or a job? Have you had your credit card number stolen? Do you have to wait too long when you call customer service? Have you paid more for a product than one of your friends? Have you been harassed online? Have you noticed politics becoming more divisive in your country? You might have the data economy to thank for all that and more.

The moment you check your phone in the morning you are giving away your data. Before you've even switched off your alarm, a whole host of organisations have been alerted to when you woke up, where you slept, and with whom. Our phones, our TVs, even our washing machines are spies in our own homes.

Without your permission, or even your awareness, tech companies are harvesting your location, your likes, your habits, your relationships, your fears, your medical issues, and sharing it amongst themselves, as well as with governments and a multitude of data vultures. They're not just selling your data. They're selling the power to influence you and decide for you. Even when you've explicitly asked them not to. And it's not just you. It's all your contacts too, all your fellow citizens. Privacy is as collective as it is personal.

Digital technology is stealing our personal data and with it our power to make free choices. To reclaim that power, and our democracy, we must take back control of our personal data. Surveillance is undermining equality. We are being treated differently on the basis of our data.

What can we do? The stakes are high. We need to understand the power of data better. We need to start protecting our privacy. And we need regulation. We need to pressure our representatives. It is time to pull the plug on the surveillance economy.
To purchase a copy of ‘Privacy is Power’, please click https://www.amazon.co.uk/Privacy-Power-Should-Take-Control/dp/1787634043

Biographies:

Dr Carissa Véliz is an Associate Professor at the Faculty of Philosophy and the Institute for Ethics in AI, and a Tutorial Fellow in Philosophy at Hertford College. Carissa completed her DPhil in Philosophy at the University of Oxford. She was then a Research Fellow at the Uehiro Centre for Practical Ethics and the Wellcome Centre for Ethics and Humanities at the University of Oxford. To find out more about Carissa’s work, visit her website: www.carissaveliz.com

Sir Michael Tugendhat was a Judge of the High Court of England and Wales from 2003 to 2014 after being a barrister from 1970. From 2010 to 2014 he was the Judge in charge of the Queen’s Bench Division media and civil lists. He was Honorary Professor of Law at the University of Leicester (2013-16) and is a trustee of JUSTICE. His publications include Liberty Intact: Human Rights in English Law: Human Rights in English Law (Oxford University Press 2017) and Fighting for Freedom? (Bright Blue 2017), The Law of Privacy and Media (Oxford University Press 1st edn 2002).

Dr Stephanie Hare is an independent researcher and broadcaster focused on technology, politics and history. Previously she worked as a Principal Director at Accenture Research, a strategist at Palantir, a Senior Analyst at Oxford Analytica, the Alistair Horne Visiting Fellow at St Antony's College, Oxford, and a consultant at Accenture. She holds a PhD and MSc from the London School of Economics and a BA in Liberal Arts and Sciences (French) from the University of Illinois at Urbana-Champaign. Her work can be found at harebrain.co

Professor John Tasioulas is the inaugural Director for the Institute for Ethics and AI, and Professor of Ethics and Legal Philosophy, Faculty of Philosophy, University of Oxford. Professor Tasioulas was at The Dickson Poon School of Law, Kings College London, from 2014, as the inaugural Chair of Politics, Philosophy & Law and Director of the Yeoh Tiong Lay Centre for Politics, Philosophy & Law. He has degrees in Law and Philosophy from the University of Melbourne, and a D.Phil in Philosophy from the University of Oxford, where he studied as a Rhodes Scholar. He was previously a Lecturer in Jurisprudence at the University of Glasgow, and Reader in Moral and Legal Philosophy at the University of Oxford, where he taught from 1998-2010. He has also acted as a consultant on human rights for the World Bank.

Episode Information

Series
Ethics in AI
People
Carissa Véliz
Sir Michael Tugendhat
Stephanie Hare
John Tasioulas
Keywords
philosophy
politics
privacy
surveillance
ethics
ai
Department: Faculty of Philosophy
Date Added: 05/11/2020
Duration: 01:01:25

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Algorithms Eliminate Noise (and That Is Very Good)

Series
Ethics in AI
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Part of the Colloquium on AI Ethics series presented by the Institute of Ethics in AI. This event is also part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
Imagine that two doctors in the same city give different diagnoses to identical patients - or that two judges in the same courthouse give different sentences to people who have committed the same crime. Suppose that different food inspectors give different ratings to indistinguishable restaurants - or that when a company is handling customer complaints, the resolution depends on who happens to be handling the particular complaint. Now imagine that the same doctor, the same judge, the same inspector, or the same company official makes different decisions, depending on whether it is morning or afternoon, or Monday rather than Wednesday. These are examples of noise: variability in judgments that should be identical. Noise contributes significantly to errors in all fields, including medicine, law, economic forecasting, police behavior, food safety, bail, security checks at airports, strategy, and personnel selection. Algorithms reduce noise - which is a very good thing.
Background reading: two papers (i) https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3300171; (ii) https://hbr.org/2016/10/noise

Speakers
Professor Cass Sunstein (Harvard Law School)

Commentators: Professor Ruth Chang (Faculty of Law, University of Oxford) and Professor Sir Nigel Shadbolt (Jesus College, Oxford and Department of Computer Science, University of Oxford)
Chaired by Professor John Tasioulas (inaugural Director for the Institute for Ethics and AI, and Professor of Ethics and Legal Philosophy, Faculty of Philosophy, University of Oxford).


Biographies:

Professor Cass Sunstein is currently the Robert Walmsley University Professor at Harvard. He is the founder and director of the Program on Behavioral Economics and Public Policy at Harvard Law School. In 2018, he received the Holberg Prize from the government of Norway, sometimes described as the equivalent of the Nobel Prize for law and the humanities. In 2020, the World Health Organization appointed him as Chair of its technical advisory group on Behavioural Insights and Sciences for Health. From 2009 to 2012, he was Administrator of the White House Office of Information and Regulatory Affairs, and after that, he served on the President's Review Board on Intelligence and Communications Technologies and on the Pentagon's Defense Innovation Board. Mr. Sunstein has testified before congressional committees on many subjects, and he has advised officials at the United Nations, the European Commission, the World Bank, and many nations on issues of law and public policy. He serves as an adviser to the Behavioural Insights Team in the United Kingdom.



Professor Sir Nigel Shadbolt is Principal of Jesus College Oxford and a Professor of Computer Science at the University of Oxford. He has researched and published on topics in artificial intelligence, cognitive science and computational neuroscience. In 2009 he was appointed along with Sir Tim Berners-Lee as Information Advisor to the UK Government. This work led to the release of many thousands of public sector data sets as open data. In 2010 he was appointed by the Coalition Government to the UK Public Sector Transparency Board which oversaw the continued release of Government open data. Nigel continues to advise Government in a number of roles. Professor Shadbolt is Chairman and Co-founder of the Open Data Institute (ODI), based in Shoreditch, London. The ODI specialised in the exploitation of Open Data supporting innovation, training and research in both the UK and internationally.



Professor Ruth Chang is the Chair and Professor of Jurisprudence and a Professorial Fellow of University College. Before coming to Oxford, she was Professor of Philosophy at Rutgers University, New Brunswick in New Jersey, USA. Before that she was a visiting philosophy professor at the University of California, Los Angeles, and a visiting law professor at the University of Chicago. During this period she also held a Junior Research Fellowship at Balliol College where she was completing her D.Phil. in philosophy. She has held fellowships at Harvard, Princeton, Stanford, and the National Humanities Center and serves on boards of a number of journals. She has a J.D. from Harvard Law School.

Her expertise concerns philosophical questions relating to the nature of value, value conflict, decision-making, rationality, the exercise of agency, and choice. Her work has been the subject of interviews by various media outlets in the U.S., Canada, the U.K., Germany, Taiwan, Australia, Italy, Israel, Brazil, New Zealand, and Austria, and she has been a consultant or lecturer for institutions ranging from video gaming to pharmaceuticals to the CIA and World Bank.



Professor John Tasioulas is the inaugural Director for the Institute for Ethics and AI, and Professor of Ethics and Legal Philosophy, Faculty of Philosophy, University of Oxford. Professor Tasioulas was at The Dickson Poon School of Law, Kings College London, from 2014, as the inaugural Chair of Politics, Philosophy & Law and Director of the Yeoh Tiong Lay Centre for Politics, Philosophy & Law. He has degrees in Law and Philosophy from the University of Melbourne, and a D.Phil in Philosophy from the University of Oxford, where he studied as a Rhodes Scholar. He was previously a Lecturer in Jurisprudence at the University of Glasgow, and Reader in Moral and Legal Philosophy at the University of Oxford, where he taught from 1998-2010. He has also acted as a consultant on human rights for the World Bank.

Episode Information

Series
Ethics in AI
People
John Tasioulas
Ruth Chang
Sir Nigel Shadbolt
Cass Sunstein
Keywords
philosophy
ethics
ai
algorithms
Department: Faculty of Philosophy
Date Added: 05/11/2020
Duration: 01:16:10

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Ethics in AI Education

Series
Ethics in AI
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This event is also part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities.
This seminar on Ethics in AI Education will tackle three questions that arise when we aim to teach computer science students about the ethical and social responsibility dimensions of AI engineering: (1) What are our learning objectives? (2) What are suitable means to meeting those objectives? (3) What are the obstacles? Dr Milo Phillips-Brown, Dr Helena Webb, and Prof. Max Van Kleek will frame these questions and share what they’ve found from their own work in this area. They are also keen to learn from the experience of others, and this seminar provides an opportunity for the panellists and audience to brainstorm together about these issues.
Chair:
Peter Millican, Gilbert Ryle Fellow and Professor of Philosophy at Hertford College, Oxford University

Speakers:

Milo Phillips-Brown, Associate Professor of Philosophy in the Faculty of Philosophy and Department of Computer Science, Tutorial Fellow at Jesus College (from 2021) and Senior Research Fellow in Digital Ethics
and Governance, Jain Family Institute

Max Van Kleek, Associate Professor of Human-Computer Interaction with the Department of Computer Science, University of Oxford

Helena Webb, Senior Researcher in the Department of Computer Science

Episode Information

Series
Ethics in AI
People
Peter Millican
Milo Phillips-Brown
Max Van Kleek
Helena Webb
Keywords
philosophy
ethics
ai
education
artificial intelligence
Department: Faculty of Philosophy
Date Added: 05/11/2020
Duration: 01:44:33

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Episode 4: Short stories are short: Edit for meaning

Series
Narrative Futures
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Mahvesh Murad discusses the work of curating and editing anthologies of speculative short fiction, ethically, refusing the word 'diversity' for doing too little, too late.

Episode Information

Series
Narrative Futures
People
Mahvesh Murad
Chelsea Haith
Louis Greenberg
Keywords
Mahvesh Murad
short stories
narrative form
diversity
representation
Margaret Atwood
Ursula Le Guin
fantasy
sci fi
speculative fiction
literature
narrative futures
futures thinking network
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 05/11/2020
Duration: 00:33:23

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Authoritarian or Revolutionary? Reflections on the Nature of the State in the Islamic Republic of Iran

Series
Middle East Centre
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Maryam Alemzadeh (Princeton) Siavush Randjbar-Daemi (St Andrews), author of The Quest for Authority in Iran: a history of the presidency from revolution to Rouhani (2017), give a talk for the Middle East Centre Friday Seminar Series.
Chaired Professor Edmund Herzig (Faculty of Oriental Studies, Oxford)

Scholars have shown the dictatorial function of the parallel political system of the Islamic Republic: although the authoritarian office of supreme leadership and the security apparatuses strictly limit the quasi-democratic institutions (i.e. the presidency and the parliament), they avert any criticism of the government’s malfunction to the latter, thereby saving ideological face among dedicated supporters. In this functionalist explanation of the dual system of power, the qualitative difference of the two sides’ working mechanisms goes unnoticed. In this talk I address the organizational dynamics of the nonconventional section of state in Iran, with a special focus on the Islamic Revolutionary Guards. I demonstrate that behind the security apparatus Panopticon and its capillary power lies a “revolutionary” institution—one that tolerates and encourages revolutionary direct action, thereby sustaining a sizable popular base over the years. The popular base is not necessarily brainwashed to serve the state. Rather, I argue, institutions of power keep it committed and interested by authorizing spontaneous, direct action, even though revolutionary times are long passed.

Maryam Alemzadeh-Bio

Maryam Alemzadeh is a Postdoctoral Research Associate at Princeton University's Mossavar-Rahmani Center for Iran and Persian Gulf Studies. She earned her PhD in sociology at the University of Chicago in 2018, and has previously worked as the Grinspoon Junior Research Fellow at the Crown Center for Middle East Studies at Brandeis University. Maryam is a historical and cultural sociologist of revolutions, state building, and grassroots militias, specializing on Iran's Islamic Revolutionary Guards Corps. Based on detailed historical findings, she writes about cultural practices as a sociologist, and about contemporary US-Middle East politics as an Iran expert. Her work has appeared in the British Journal of Middle East Studies and Foreign Affairs, among other places.

Episode Information

Series
Middle East Centre
People
Maryam Alemzadeh
Siavush Randjbar-Daemi
Keywords
middle east
iran
authoritarianism
revolution
Department: Middle East Centre
Date Added: 04/11/2020
Duration: 00:52:17

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Humanities Cultural Programme Live Event: Katie Mitchell in conversation with Ben Whishaw

Series
TORCH | The Oxford Research Centre in the Humanities
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Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. 'Liveness'.
Biographies:

Katie Mitchell is a British theatre director whose unique style and uncompromising methods have divided both critics and audiences. Though sometimes causing controversy, her productions have been innovative and groundbreaking, and have established her as one of the UK’s leading names in contemporary performance.

She was born in Berkshire in 1964, grew up in the small village of Hermitage and read English at Magdalen College, Oxford. She began her theatre career in 1986 with a job at the King’s Head Theatre as a production assistant. She became an assistant director at Paines Plough a year later, and then took the same post at the Royal Shakespeare Company in 1988. In 1990, she founded her own company, Classics on a Shoestring, where she directed a number of pioneering and highly acclaimed productions including the House of Bernada Alba and Women of Troy.

In the decades with followed, Mitchell worked as an associate director with the Royal Court Theatre, the Royal Shakespeare Company and the National Theatre. Whilst at the RSC, she was responsible for programming at the now defunct black box space, The Other Place, and her production of The Phoenician Women earned her the Evening Standard Award for Best Director.

Her numerous theatre credits include 2071 and Night Songs for the Royal Court, The Cherry Orchard for the Young Vic, The Trial of Ubu for Hampstead Theatre, Henry VI Part III (to date her only Shakespeare production) for the RSC and A Woman Killed with Kindness and The Seagull at the National Theatre. She has also directed opera, working with the Royal Opera House and English National Opera. An exponent of Stanislavski techniques and naturalism, her style was strongly influenced by the time she spent working in Eastern Europe early in her career. Her work is characterised by the creation on stage of a highly distinctive environment, the intensity of the emotions portrayed and by the realism of the acting.

Mitchell’s work has pushed boundaries and explored technique and, not just confined to the stage, has also taken her into other creative mediums. She has directed for film and television with work including The Widowing of Mrs Holroyd and The Turn of the Screw. In 2011, together with video maker, Leo Warner, Mitchell devised an immersive video installation called Five Truths for the Victoria and Albert Museum which explored the nature of truth in theatrical production.



Ben Whishaw is a multi-award winning English actor in film, television, and theatre. He trained at RADA, and his work in theatre quickly brought acclaim including a much-lauded Hamlet at the Old Vic with Trevor Nunn in 2004. He has been directed by Katie Mitchell multiple times, including The Seagull at the National Theatre in 2006, and Norma Jeane Baker of Troy at the Shed in New York last year. In television his work ranges from BAFTA-winning performances in Rupert Goold's Richard II for the BBC in 2012 to A Very English Scandal in 2018. Among many film roles, he is perhaps best known for taking on the part of Q in the Bond films since 2012’s Skyfall and for delighting audiences young and old as the voice of Paddington in the hit movies in 2014 and 2017.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Ben Whishaw
Katie Mitchell
Wes Williams
Keywords
theatre
stage
film
television
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 04/11/2020
Duration: 01:03:00

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Live Event: Tragedy and Plague - In Conversation with Professor Oliver Taplin and Fiona Shaw CBE

Series
TORCH | The Oxford Research Centre in the Humanities
Embed
TORCH Goes Digital! presents a series of weekly live events Big Tent - Live Events! Part of the Humanities Cultural Programme, one of the founding stones for the future Stephen A. Schwarzman Centre for the Humanities. Drama Week
Biographies:
Fiona Shaw CBE

Fiona Shaw is an actor and theatre and opera director. She is known for her role as Petunia Dursley in the Harry Potter film series (2001–10), as Marnie Stonebrook in season four of the HBO series True Blood (2011), and as Carolyn Martens in the BBC series Killing Eve (2018–present), for which she won the 2019 BAFTA TV Award for Best Supporting Actress. For her performances in the second seasons of Killing Eve and the comedy-drama Fleabag, Shaw received Primetime Emmy Award nominations for Outstanding Supporting Actress in a Drama Series and Outstanding Guest Actress in a Comedy Series respectively.

Fiona has worked extensively with the Royal Shakespeare Company and the National Theatre. She won the 1990 Olivier Award for Best Actress for various roles, including Electra, the 1994 Olivier Award for Best Actress for Machinal, and the 1997 Drama Desk Award for Outstanding Solo Performance for The Waste Land. Her other stage work includes playing the title role in Medea in the West End and on Broadway (2001–02). She was awarded an Honorary CBE in 2001. In 2020, she was listed at number 29 on The Irish Times list of Ireland's greatest film actors.


Professor Oliver Taplin, Emeritus Professor of Classics, Magdalen College, Oxford.
Professor Oliver Taplin is a fellow of Magdalen College and Professor of Classical Languages and Literature at the University of Oxford. Professor Taplin's main teaching has been in all aspects of ancient Greek epic, tragedy and comedy: Classics, Classics (and Joint Honours), Classics and English, Classics and Modern Languages, Classics with Oriental Studies at Oxford University.

Oliver's primary focus as a scholar is on Greek drama, especially from the viewpoint of staging and performance. His first book was The Stagecraft of Aeschylus, in which he dealt with the entrances and exits of characters in Aeschylus's plays. Subsequent books, including Comic Angels (1993) and Pots and Plays (2007) examine vase paintings as evidence for the performance of tragedy and comedy. In 1996, together with Edith Hall, he set up the APGRD (Archive of Performances of Greek and Roman Drama). It is devoted to the international production and reception of ancient plays since the Renaissance. He has also worked with productions in the theatre, including The Oresteia at the National Theatre (1980–81), The Thebans at the RSC (1991–92), and The Oresteia at the National Theatre (1999–2000). Apart from Greek drama, his chief area of interest was in Homer.

Oliver retired as Tutor in Classics at Magdalen College, Oxford in 2008. The same year, Oxford University Press published Performance, Iconography, Reception: Studies in Honour of Oliver Taplin, edited by Martin Revermann and Peter Wilson.

Further related subjects include vase-painting and theatre; performance studies; reception of ancient literature in modern poetry; practical translation workshops. Currently he is working on a broad-brush book on Greek Tragedy, including a critique of Aristotle’s Poetics.

Publications include:

The Stagecraft of Aeschylus (Oxford 1977, reissued as a paperback 1989).
Greek Tragedy in Action (London and Berkeley 1978; revised edition 1985); also translated into Greek, Japanese and Polish.
Greek Fire (London 1990); also translated into Dutch, Portuguese, French, German and Greek.
Homeric Soundings. The Shaping of the Iliad (Oxford 1992, reprinted in paperback, 1994).
Comic Angels – and other approaches to Greek drama through vase-painting (Oxford 1993, reprinted in paperback, 1994).
Pots and Plays. Interactions between Tragedy and Greek Vase-painting of the Fourth Century BC (Getty Museum Publications, Los Angeles, 2007)
Sophocles Oedipus the King and other tragedies (Oxford World’s Classics, 2016)
Aeschylus The Oresteia (Norton, New York, 2018)
His new book, Sophocles' Antigone and Other Tragedies was published in September 2020.

Episode Information

Series
TORCH | The Oxford Research Centre in the Humanities
People
Oliver Taplin
Fiona Shaw
Keywords
classics
greek drama
tragedy
Sophocles
Antigone
aeschylus
philosophy
aristotle
Department: The Oxford Research Centre in the Humanities (TORCH)
Date Added: 04/11/2020
Duration: 01:09:24

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